Austin Powers Movies
The Austin Powers series is a series of three action-comedy films – Austin Powers: International Man of Mystery (1997), Austin Powers: The Spy Who Shagged Me (1999) and Austin Powers in Goldmember (2002) – written by and starring Mike Myers as the title character, directed by Jay Roach and distributed by New Line Cinema. The franchise parodies numerous James Bond, Derek Flint, Jason King, and Matt Helm films, characters, and video games, incorporates a myriad of other elements of popular culture as it follows the British spy's quest to bring his nemesis, Doctor Evil, to justice.
The films poke fun at the outrageous plots, rampant sexual innuendo, and one-dimensional stock characters characteristically associated with 1960s spy films, as well as the cliché of the ultra-suave male superspy. Contrary to the handsome, super-smooth leading men of the James Bond genre, Austin Powers is not conventionally attractive (he is especially known for his bad teeth), although female characters in the films seem to find him irresistible.
The general theme of the films is that the arch-villain Dr. Evil plots to extort large sums of money from governments or international bodies but is constantly thwarted by Powers, and (to a degree) his own inexperience with life and culture in the 1990s. In the first film, Austin and Dr. Evil are awakened after being cryogenically frozen for 30 years. Continuing to incorporate cultural elements of the 1960s and 1970s, the second and third films feature time travel as a plot device and deliberately overlook inconsistencies.
Read more about Austin Powers Movies: Development, Cast and Characters, Cars
Famous quotes containing the words austin, powers and/or movies:
“Time goes, you say? Ah, no!
Alas, Time stays, we go.”
—Henry Austin Dobson (1840–1921)
“The powers of the federal government ... result from the compact to which the states are parties, [and are] limited by the plain sense and intention of the instrument constituting that compact.”
—James Madison (1751–1836)
“All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.”
—Clive James (b. 1939)