Astro Boy: Omega Factor - Reception

Reception

Reception
Aggregate scores
Aggregator Score
GameRankings 86.89%
Metacritic 85%
Review scores
Publication Score
1UP.com A-
GamePro
GameSpot 9.2/10
GameSpy 8.7/10
IGN 8.8/10
Nintendo Power 9/10
Nintendojo 9.8/10

Omega Factor received positive reviews, with aggregate scores of 85% from Metacritic and 86.89% from Game Rankings. GameSpot's Frank Provo stated that "veryone, regardless of age, simply must own and play Astro Boy: Omega Factor – because it is one of the best action games on the Game Boy Advance." GameSpy writer Benjamin Turner listed it as one of the best Game Boy Advance games of the year.

The game was highly praised for its visuals. Provo called the game, overall, "a delight for the senses," and praised the detail and lavish animation of the background and character sprites. Geoffrey Winter of Nintendojo stated that the environments are "beautiful and look as if they were built to be admired, not just walked through." He went on to say that Omega Factor has more seductively detailed visuals than any other Game Boy Advance game. IGN's Craig Harris called it a "technical marvel," especially praising the fluid animation of the bosses, and reserving criticism for the game's occasional framerate slowdown.

The few instances of criticism the game received were mainly directed at the repetitiveness of the levels. Turner listed this repetitiveness, specifically for the shooter stages, as one of the game's "cons." Harris stated that some of the levels "are the absolute pits and feel completely out of place because of their slapped-together feel." 1UP.com's Sam Kennedy stated that the levels are "more of a formality than anything – you casually battle a set of enemies until you reach a boss, which is where the real gameplay begins."

Read more about this topic:  Astro Boy: Omega Factor

Famous quotes containing the word reception:

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)