Reception
Astro Boy became Tezuka's most famous work. Frederik L. Schodt, author of the English-language version of Astro Boy, said it had "extraordinary longevity and appeal across cultures." Schodt said that many of the stories are "sometimes" of "uneven quality." Schodt said that as the time becomes closer to "a true age of robots," Astro Boy assumes more meaning. Jeff Yang of the San Francisco Chronicle said "while kids came for Astro's atomic action -- just about every installment included Astro harrowing a fellow robot who'd fallen from digital grace with his fission-powered fists -- they stayed for the textured, surprisingly complex stories."
Astro ranked 43rd on Empire magazine's list of The 50 Greatest Comic Book Characters.
The 1960s anime was named the 86th best animated series by IGN, calling it the first popular anime TV series.
The 1980s anime was extremely popular in Australia, Canada, and many parts of Asia, with two different English dubs. The dub shown in Australia (and to a lesser extent in the USA) was coordinated by Tezuka Productions and NTV and produced in the USA. Another dub was produced in Canada solely for broadcast there.
While the 2003 anime did poorly in North America, having received poor distribution and having been heavily edited, including the removal of its orchestrated soundtrack and much of Astro's childlike innocence, it was better received in the UK on the BBC, where it ran in syndication for almost three years as well as other parts of the world such as Dubai based MBC 3.
On April 7, 2003, the city of Niiza, Saitama registered the Astro Boy character as a resident to coincide with his birthdate in the manga.
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Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)