Assam - Culture

Culture

Main article: Culture of Assam See also: Assamese cinema

Assamese culture is traditionally a hybrid one developed due to assimilation of ethno-cultural groups in the past. Therefore, both local elements or the local elements in Sanskritised forms are distinctly found. The major milestones in evolution of Assamese culture are:

• Assimilation in the Kamarupa Kingdom for almost 700 years (under the Varmans for 300 years, Salastambhas and Palas for each 200 years).
• Establishment of the Ahom dynasty in the 13th century AD and assimilation for next 600 years.
• Assimilation in the Koch Kingdom (15th–16th century AD) of western Assam and Kachari Kingdom (12th–18th century AD) of central and southern Assam.

• Vaishnava Movement led by Srimanta Shankardeva (Sonkordeu) and its contribution and cultural changes. Vaishanav Movement, the 15th century religio-cultural movement under the leadership of great Srimanta Sankardeva (Sonkordeu) and his disciples have provided another dimension to Assamese culture. A renewed Hinduisation in local forms took place, which was initially greatly supported by the Koch and later by the Ahom Kingdoms. The resultant social institutions such as namghar and sattra (the Vaishnav Monasteries) have become part of Assamese way life. The movement contributed greatly towards language, literature and performing and fine arts. It is also noticed that many a times, Vaishnav Movement attempted to introduce alien cultural attributes and modify the way of life of common people. Brajavali a language specially created by introducing words from other Indian languages had failed as a language but left its traces on the Assamese language. Moreover, new alien rules were also introduced changing people's food habits and other aspects of cultural life. This had a greater impact on alienation of many local ethno-cultural and political groups in the later periods.

Historically, it is not difficult to understand that on one hand, during the strong politico-economic systems under stronger dynasties, greater cultural assimilations created common attributes of Assamese culture, while on the other during smaller politico-economic systems or during political disintegration, more localised attributes were created with spatial differentiation. Time-factor for such integrations and differentiations has also played extremely important role along with the position of individual events in the entire series of sequential events.

With rich traditions, the modern culture is greatly influenced by events in the British and the Post-British Era. The language was standardised by the American Baptist Missionaries such as Nathan Brown, Dr. Miles Bronson and local pundits such as Hemchandra Barua with the form available in the Sibsagar (Sivasagar) District (the ex-nerve centre of the Ahom Kingdom). A renewed Sanskritisation was increasingly adopted for developing Assamese language and grammar. A new wave of Western and northern Indian influence was apparent in the performing arts and literature.

Increasing efforts of standardisation in the 20th century alienated the localised forms present in different areas and with the less-assimilated ethno-cultural groups (many source-cultures). However, Assamese culture in its hybrid form and nature is one of the richest, still developing and in true sense is a 'cultural system' with sub-systems. It is interesting that many source-cultures of Assamese cultural-system are still surviving either as sub-systems or as sister entities, for e.g. Bodo or Karbi or Mishing. It is important to keep the broader system closer to its roots and at the same time to focus on development of the sub-systems.

Some of the common and unique cultural traits in the region are peoples' respect towards areca-nut and betel leaves, symbolic (Gamosa, Arnai, etc.), traditional silk garments (e.g. Mekhela chador, traditional dress of Assamese women) and towards forefathers and elderly. Moreover, great hospitality and Bamboo culture are common.