Critical Reception
Reviews of Asleep in the Bread Aisle were mixed. According to Billboard, Oren Yoel's "mixture of boom-bap drums and pop sensibility mixes well with Roth's happy go lucky and sincere rhymes". Rolling Stone similarly complimented Roth for his sincerity and avoiding the cliche gimmicks typically employed by fellow white rappers, saying, "Roth's tight, witty debut lives up to the Internet hype that has swirled around him for months... he keeps the nerd-boy self-deprecation to a minimum and acts, you know, like a rapper." However, Allmusic noted, "Smoking weed, having sex, and swearing is hardly riveting material, and when Asher can't turn these topics into something clever, it becomes tiresome." HipHopDX agreed saying, "...Roth makes partying sound like the most boring thing in the world. It’s not that having fun in college is not worthy of being rapped about, it’s that Roth seems absolutely incapable of approaching this topic with anything remotely close to creativity or humor." Alan Ranta of PopMatters summarized by saying Asleep in the Bread Aisle was "a brainless summer record with flashes of conscience. Roth can do better or, at the very least, discover his own voice."
Read more about this topic: Asleep In The Bread Aisle
Famous quotes containing the words critical and/or reception:
“Somewhere it is written that parents who are critical of other people’s children and publicly admit they can do better are asking for it.”
—Erma Bombeck (20th century)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)