The New York Years
Asha made her way to New York under the auspices of a dance scholarship from Martha Graham. As luck would have it, Columbia Records impresario John H. Hammond, who had forged a career discovering acts like Billie Holiday, Bob Dylan and Bruce Springsteen, became intrigued by Ved Mehta's portrait of Asha in Jazz in Bombay. After hearing a rough demo, Hammond championed her as a genius and vigorously recruited her for CBS Records. Unable to find a place for the jazz singer at his increasingly rock-oriented label, Hammond nonetheless used his connections to get her top-flight session work. She sang lead vocals on the Peter Ivers Blues Band's cover of "Ain't That Peculiar" which made a critical splash in magazines like Cashbox, Rolling Stone, and Billboard - sadly, the band's full album featuring her, Take It Out On Me was shelved for nearly four decades before finally seeing the light of day in 2009. The sensuality of the music and seeing Ivers stripped to his underwear in the next booth prompted Puthli to undress and sing the session nearly naked. Photographers soon followed, but interrupted nothing as they snapped away.
Hammond fortuitously sent her to audition for avant-garde jazz pioneer Ornette Coleman, who'd been searching to no avail for a unique singer for his Science Fiction project (1971). A quick study, Asha learned and recorded two of Coleman's songs, "What Reason Could I Give" and "All My Life," in mere hours. Historian Robert Palmer gushed about Asha's sound in the following manner: "A sound like Raga meeting Aretha Franklin, Miss Puthli's singing is equally extraordinary. There is just enough Indian training left in her style to give it an indescribable fluid quality. Her alternation of timbre from the breathiest of sighs to gospel derived moans is unique. She improvises off an impressive range and generally walks through the album with the assurance of a master performer." For her work on Science Fiction, Asha shared the Downbeat Critics' Poll award for "best female jazz vocalist," alongside Ella Fitzgerald and Dee Dee Bridgewater. Despite the shower of accolades, avant-garde jazz is not a genre known for vocalists, and recording opportunities did not materialize for Asha in the United States.
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