Films, Fashion and Beyond
During the 1970s, Asha also branched out into films, starring in lead roles in Merchant Ivory's Savages (completely naked) and Bruno Corbucci's The Gang That Sold America (Italian title:Squadra Antigangsters).
Her cosmopolitan sense of glamour rocketed her to visibility as a fashion icon: a headliner at Studio 54, she was dressed by A-list designers from Michaele Vollbracht to Manolo Blahnik, and photographed by iconic lensers from Richard Avedon to Andy Warhol.
The new millennium saw Asha re-emerge as an in-demand guest artist on the electronica circuit, appearing on funk experimentalist Bill Laswell's Asana Vol. 3, Hey Diwani, Hey Diwani with techno-fusion group Dum Dum Project, and a variety of rare groove and yoga music collections.
In 2005 Asha hit the UK charts once again singing lead vocals on and co-writing Stratus' Looking Glass from their album Fear of Magnetism.
Recently, her underground 1970s classic "Space Talk" − a popular tune with David Mancuso's The Loft crowd − has become a popular hip-hop break record, sampled by the likes of P.Diddy, The Notorious B.I.G., Dilated Peoples, Governor featuring 50 Cent, and Redman; and her cover of George Harrison's "I Dig Love" was sampled in 2005 for the chart-topping track "Reload It" by UK Mobo award winner Kano. She has co-writer credits with Jay-Z, P.Diddy, The Neptunes, Jermaine Dupri, SWV and The Notorious B.I.G. on the track "The World is Filled" from the multi-platinum album, Life After Death.
In August 2006, she headlined Central Park Summerstage in New York City on an eclectic bill with DJ Spooky, Talvin Singh, Outernational and Prefuse 73 and special guests Dewey Redman and Dres (rapper) of the hip-hop group Black Sheep.
Asha Puthli's album "Lost" was released in summer 2008 on European label Kyrone.
Read more about this topic: Asha Puthli
Famous quotes containing the word fashion:
“His reversed body gracefully curved, his brown legs hoisted like a Tarentine sail, his joined ankles tacking, Van gripped with splayed hands the brow of gravity, and moved to and fro, veering and sidestepping, opening his mouth the wrong way, and blinking in the odd bilboquet fashion peculiar to eyelids in his abnormal position. Even more extraordinary than the variety and velocity of the movements he made in imitation of animal hind legs was the effortlessness of his stance.”
—Vladimir Nabokov (1899–1977)