Artspace - History

History

Artspace was conceived as early as 1984, by a group of New Haven-based visual and performing artists in response to the elimination of a promised gallery space dedicated to local artists in the Shubert, a prominent local theater. Convinced that local visual art and performance needed an alternative showcase, they created Artspace with a mission to nurture and preserve the arts—focusing especially on artists and audiences in the Greater New Haven area. The name Artspace originally described the permanent space and black box reserved for local artists and performers that was promised but never delivered by the Shubert. In its next incarnation without a permanent home, the name became an umbrella for a variety of projects. Its founders loved the irony of using the name "Artspace" while operating without a space, appropriating found spaces as "art spaces," including: factory buildings (former manufacturers of tires, rifles, corsets, cash registers, and Erector Sets), public libraries, public schools, public greenways, city buses, and old malls and storefronts.

Officially starting in 1987, it operated a lively exhibition and performance space in a new facility which it purchased and helped build at 70 Audubon Street, in the emerging Audubon arts district of downtown. More than 120 major exhibitions—many addressing social issues relevant to New Haven's urban community—were organized. Programs also included an annual small theater festival, monthly showcases of musicians, poets, and performance artists, and a jazz series, which evolved into the region's first jazz non-profit organization, JazzHaven. The Summer Arts for Youth (SAY!) Mentoring Program for inner city youth paired local artists with high school students for a summer apprenticeship and exhibition. In 1998, the Artspace Board determined that the organization could more effectively reach the constituency it was intended to serve if relieved of the substantial costs of carrying prime New Haven real estate. The Board approved a plan to restore the financial stability of the organization and voted to sell the gallery and performance space to the Educational Center for the Arts. Until 2002, Artspace was again without a home. Now, it is back in a gallery space under a city subsidy.

In 2001, Artspace entered into a collaborative arrangement with the City of New Haven and jointly redeveloped a civil-war era furniture factory located in a historic but overlooked area of downtown. With the support of CT’s Department of Economic Development, the New Haven Development Commission, and the City’s Planning Commission, Artspace oversaw the renovation and creation of a flexible exhibition facility which includes areas for group exhibitions, experimental solo space, window installations, as well as an area for an artist in residence and Artspace’s offices. The space, Artspace’s Center for Contemporary Art (“Artspace”) opened in April 2002, drawing both crowds and interest, and serving as an effective good-will ambassador for downtown New Haven. In 2004, Artspace also entered into a lease and agreement to develop the Lot, an outdoor space one block from its gallery, as a site for temporary public sculpture.

Artspace presents thematic group exhibitions, solo exhibitions in the Project Room, and selections from the Flatfile, a semi-permanent collection of 300 works-on-paper by area artists chosen from a bi-annual open call. The Lot installation rotates twice a year. In addition, Artspace runs a lively education program aimed at public schools students from New Haven, encompassing a Docent Program, a hands-on summer apprenticeship for 15 students to collaborate on a new work with a visiting artist, and vacation period printmaking and photography workshops. These programs are all offered at no charge to students. Each year, Artspace also presents City-Wide Open Studios, a month long festival. Artists open their studios, and Artspace activates empty buildings as sites for temporary installations. A central exhibition at Artspace is mounted with one representative work by every artist.

Read more about this topic:  Artspace

Famous quotes containing the word history:

    The history of men’s opposition to women’s emancipation is more interesting perhaps than the story of that emancipation itself.
    Virginia Woolf (1882–1941)

    When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.
    Adrienne Rich (b. 1929)

    The custard is setting; meanwhile
    I not only have my own history to worry about
    But am forced to fret over insufficient details related to large
    Unfinished concepts that can never bring themselves to the point
    Of being, with or without my help, if any were forthcoming.
    John Ashbery (b. 1927)