Arthur Godfrey - Television

Television

In 1948 Arthur Godfrey's Talent Scouts began to be simultaneously broadcast on radio and television, and by 1952, Arthur Godfrey Time also appeared on both media. The radio version ran an hour and a half; the TV version an hour, later expanded to an hour and a half. The Friday shows, however, were heard on radio only, because at the end of the week, Godfrey traditionally broadcast his portion from a studio at his Virginia farm outside of Washington, D.C., and TV cameras were unable to transmit live pictures of him and his New York cast at the same time. Godfrey's skills as a commercial pitchman brought him a large number of loyal sponsors, including Lipton Tea, Frigidaire, Pillsbury cake mixes and Liggett & Myers's Chesterfield cigarettes.

He found that one way to enhance his pitches was to extemporize his commercials, poking fun at the sponsors (while never showing disrespect for the products themselves), the sponsors' company executives, and advertising agency types who wrote the scripted commercials that he regularly ignored. (If he read them at all, he ridiculed them.) To the surprise of the advertising agencies and sponsors, Godfrey's kidding of the commercials and products frequently enhanced the sales of those products. His popularity and ability to sell brought a windfall to CBS, accounting for a significant percentage of their corporate profits.

In 1949 Arthur Godfrey and His Friends, a weekly informal variety show, began on CBS-TV in prime time. His affable personality combined warmth, heart, and occasional bits of double entendre repartee, such as his remark when the show went on location: "Well, here we are in Miami Bitch. Hehheh." Godfrey received adulation from fans who felt that despite his considerable wealth, he was really "one of them," his personality that of a friendly next-door-neighbor. His ability to sell products, insisting he would not promote any in which he did not personally believe, gave him a level of trust from his audience, a belief that "if Godfrey said it, it must be so." When he quit smoking after his 1953 hip surgery, he spoke out against smoking on the air and merely shrugged off Chesterfield's departure as a regular sponsor as he knew that other sponsors would easily fill the vacancy.

Eventually Godfrey added a weekend "best of" program culled from the week's Arthur Godfrey Time, known as Arthur Godfrey Digest. He began to veer away from interviewing stars in favor of a small group of regular performers that became known as the "Little Godfreys." Many of these artists were relatively obscure, but were given colossal national exposure, some of them former Talent Scouts winners including Hawaiian vocalist Haleloke, veteran Irish tenor Frank Parker, Marian Marlowe and Julius LaRosa, who was in the Navy when Godfrey, doing his annual Naval reserve duty, discovered the young singer and offered him a job upon his discharge.

LaRosa joined the cast in 1951 and became a favorite with Godfrey's immense audience, who also saw him on the prime-time weekly show Arthur Godfrey and his Friends. Godfrey also had a regular announcer-foil on the show: Tony Marvin. Godfrey preferred his performers not to use personal managers or agents, but often had his staff represent the artists if they were doing personal appearances.

Godfrey was one of the busiest men in the entertainment industry, often presiding over several daytime and evening radio and TV shows simultaneously. (Even busier was Robert Q. Lewis, who hosted Arthur Godfrey Time whenever Godfrey was absent, adding to his own crowded schedule.) Both Godfrey and Lewis made commercial recordings for Columbia Records, often featuring the "Little Godfreys" in various combinations. In addition to the "Too Fat Polka" mentioned above, these included "Candy and Cake"; "Dance Me Loose". "I'm Looking Over a Four Leaf Clover"; "Slap 'Er Down Again, Paw"; "Slow Poke"; and "The Thing". In 1951 Godfrey also narrated a nostalgic movie documentary, Fifty Years Before Your Eyes, produced for Warner Brothers by silent-film anthologist Robert Youngson.

On a memorable evening in 1953, disc jockey Steve Allen was a last-minute replacement for Godfrey on Talent Scouts. When it came time to deliver the live commercial for Lipton tea and soups, Allen impulsively prepared the soup and the tea on camera, and poured both into a ukulele. Shaking the mixture well, he played a few damp notes while reciting the rest of the commercial, to the delight of the studio audience, the viewers, and Godfrey himself. Allen became a national celebrity and within the year he would become the first host of NBC's Tonight show.

Godfrey had been in pain since the 1931 car crash that damaged his hip. In 1953, he underwent pioneering hip replacement surgery in Boston using an early plastic artificial hip joint. The operation was successful and he returned to the show to the delight of his vast audience. During his recovery, CBS was so concerned about losing Godfrey's audience that they encouraged him to broadcast live from his Beacon Hill estate (near Leesburg, Virginia), with the signal carried by microwave towers built on the property.

In his own way, Godfrey was a social pioneer. One of the "Little Godfrey" acts were the Mariners, an integrated vocal quartet of white and black Coast Guard veterans. When the act appeared on his TV show, Southern CBS affiliates and racist Southern politicians complained of their participating in dance sequences with white women. Godfrey responded caustically, decrying the racism and refusing to remove them from the cast.

Godfrey's immense popularity and the trust placed in him by audiences was noticed by not just advertisers but also his friend U.S. President Dwight Eisenhower, who asked him to record a number of public service announcements to be played on American television in the case of nuclear war. It was thought that viewers would be reassured by Godfrey's grandfatherly tone and folksy manner. The existence of the PSA tapes was confirmed in 2004 by former CBS president Dr. Frank Stanton in an exchange with a writer with the Web site CONELRAD.

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