Character
Although Art Nouveau acquired distinctly localised tendencies as its geographic spread increased, some general characteristics are indicative of the form. A description published in Pan magazine of Hermann Obrist's wall hanging Cyclamen (1894) described it as "sudden violent curves generated by the crack of a whip", which became well known during the early spread of Art Nouveau. Subsequently, not only did the work itself become known better as The Whiplash but the term "whiplash" is frequently applied to the characteristic curves employed by Art Nouveau artists. Such decorative "whiplash" motifs, formed by dynamic, undulating, and flowing lines in a syncopated rhythm, are found throughout the architecture, painting, sculpture, and other forms of Art Nouveau design.
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Famous quotes containing the word character:
“The character of the loggers admiration is betrayed by his very mode of expressing it.... He admires the log, the carcass or corpse, more than the tree.... What right have you to celebrate the virtues of the man you murdered?”
—Henry David Thoreau (18171862)
“Taught from their infancy that beauty is womans sceptre, the mind shapes itself to the body, and, roaming round its gilt cage, only seeks to adorn its prison. Men have various employments and pursuits which engage their attention, and give a character to the opening mind; but women, confined to one, and having their thoughts constantly directed to the most insignificant part of themselves, seldom extend their views beyond the triumph of the hour.”
—Mary Wollstonecraft (17591797)
“In the tale properwhere there is no space for development of character or for great profusion and variety of incidentmere construction is, of course, far more imperatively demanded than in the novel.”
—Edgar Allan Poe (18091849)