Character
Although Art Nouveau acquired distinctly localised tendencies as its geographic spread increased, some general characteristics are indicative of the form. A description published in Pan magazine of Hermann Obrist's wall hanging Cyclamen (1894) described it as "sudden violent curves generated by the crack of a whip", which became well known during the early spread of Art Nouveau. Subsequently, not only did the work itself become known better as The Whiplash but the term "whiplash" is frequently applied to the characteristic curves employed by Art Nouveau artists. Such decorative "whiplash" motifs, formed by dynamic, undulating, and flowing lines in a syncopated rhythm, are found throughout the architecture, painting, sculpture, and other forms of Art Nouveau design.
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Famous quotes containing the word character:
“Sometimes apparent resemblances of character will bring two men together and for a certain time unite them. But their mistake gradually becomes evident, and they are astonished to find themselves not only far apart, but even repelled, in some sort, at all their points of contact.”
—Sébastien-Roch Nicolas De Chamfort (1741–1794)
“We now demand the light artillery of the intellect; we need the curt, the condensed, the pointed, the readily diffused—in place of the verbose, the detailed, the voluminous, the inaccessible. On the other hand, the lightness of the artillery should not degenerate into pop-gunnery—by which term we may designate the character of the greater portion of the newspaper press—their sole legitimate object being the discussion of ephemeral matters in an ephemeral manner.”
—Edgar Allan Poe (1809–1845)
“PLAIN SUPERFICIALITY is the character of a speech, in which any two points being taken, the speaker is found to lie wholly with regard to those two points.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)