Character
Although Art Nouveau acquired distinctly localised tendencies as its geographic spread increased, some general characteristics are indicative of the form. A description published in Pan magazine of Hermann Obrist's wall hanging Cyclamen (1894) described it as "sudden violent curves generated by the crack of a whip", which became well known during the early spread of Art Nouveau. Subsequently, not only did the work itself become known better as The Whiplash but the term "whiplash" is frequently applied to the characteristic curves employed by Art Nouveau artists. Such decorative "whiplash" motifs, formed by dynamic, undulating, and flowing lines in a syncopated rhythm, are found throughout the architecture, painting, sculpture, and other forms of Art Nouveau design.
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Famous quotes containing the word character:
“[A]s a lady adjusts her dress before a mirror, a man adjusts his character by looking at his journal.”
—James Boswell (1740–1795)
“Gross and obscure natures, however decorated, seem impure shambles; but character gives splendor to youth, and awe to wrinkled skin and gray hairs.”
—Ralph Waldo Emerson (1803–1882)
“When I think of some of the Persians, the Hindus, the Arabs I knew, when I think of the character they revealed, their grace, their tenderness, their intelligence, their holiness, I spit on the white conquerors of the world, the degenerate British, the pigheaded Germans, the smug self-satisfied French.”
—Henry Miller (1891–1980)