Around The World (musical) - History

History

Orson Welles had decided to make a musical out of one of his favorite childhood books, Around the World in Eighty Days. He wanted an entire circus on stage, a train running through the West, and had other extravagant production ideas. He raised money from Mike Todd, the producer William Goetz, and the holder of the European rights to the title, Alexander Korda. However, he had no money left for a star cast and used performers who were not well known. According to Charles Higham (writer of a highly critical Welles biography) "Porter wrote the songs far too quickly and badly".

The show had a cast of 70 and included four mechanical elephants and 54 stage hands. Mike Todd pulled out, and Welles put up his own money. He also borrowed from Columbia Pictures president, Harry Cohn, on a promise to write, produce, direct and star in a film for Cohn for no fee. He kept his promise, making the film The Lady from Shanghai.

Playwright John van Druten described the musical as "enormous fun" and Joshua Logan said it was "fresh, witty, magical, exciting". However, with no story and unclear relationships between the characters, the show closed quickly, with Welles losing his savings, and the investors losing "large sums".

Read more about this topic:  Around The World (musical)

Famous quotes containing the word history:

    The thing that struck me forcefully was the feeling of great age about the place. Standing on that old parade ground, which is now a cricket field, I could feel the dead generations crowding me. Here was the oldest settlement of freedmen in the Western world, no doubt. Men who had thrown off the bands of slavery by their own courage and ingenuity. The courage and daring of the Maroons strike like a purple beam across the history of Jamaica.
    Zora Neale Hurston (1891–1960)

    A poet’s object is not to tell what actually happened but what could or would happen either probably or inevitably.... For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.
    Aristotle (384–323 B.C.)

    Every member of the family of the future will be a producer of some kind and in some degree. The only one who will have the right of exemption will be the mother ...
    Ruth C. D. Havens, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 13, by Susan B. Anthony and Ida Husted Harper (1902)