Around The World (musical) - History

History

Orson Welles had decided to make a musical out of one of his favorite childhood books, Around the World in Eighty Days. He wanted an entire circus on stage, a train running through the West, and had other extravagant production ideas. He raised money from Mike Todd, the producer William Goetz, and the holder of the European rights to the title, Alexander Korda. However, he had no money left for a star cast and used performers who were not well known. According to Charles Higham (writer of a highly critical Welles biography) "Porter wrote the songs far too quickly and badly".

The show had a cast of 70 and included four mechanical elephants and 54 stage hands. Mike Todd pulled out, and Welles put up his own money. He also borrowed from Columbia Pictures president, Harry Cohn, on a promise to write, produce, direct and star in a film for Cohn for no fee. He kept his promise, making the film The Lady from Shanghai.

Playwright John van Druten described the musical as "enormous fun" and Joshua Logan said it was "fresh, witty, magical, exciting". However, with no story and unclear relationships between the characters, the show closed quickly, with Welles losing his savings, and the investors losing "large sums".

Read more about this topic:  Around The World (musical)

Famous quotes containing the word history:

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)

    I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?
    Ralph Waldo Emerson (1803–1882)

    The history of American politics is littered with bodies of people who took so pure a position that they had no clout at all.
    Ben C. Bradlee (b. 1921)