Novels
Van Herk’s writing career began with the publication of her M.A. thesis in 1978. Judith a novel that explores a feisty female protagonist’s experiences in both rural and urban Canadian spaces, was the first winner of the Seal First Novel Award (C$50,000) from McClelland and Stewart, which granted the book international distribution throughout North America and Europe. With her second novel, The Tent Peg (1981), van Herk continued to focus on issues of both female experience and the Canadian wilderness in a narrative where the female protagonist disguises herself as a man in order to get a job as a cook in a northern geological bush-camp. Van Herk established herself as a postmodern novelist by challenging classic myths and mythology, upending notions of both gender and genre, and experimenting with humour and magic realism. Van Herk would continue to subvert literary conventions with her third novel, No Fixed Address: An Amorous Journey (1986), a parody of the picaresque genre in which underwear saleswoman Arachne Manteia traverses the Canadian prairies in her vintage Mercedes. The novel, nominated for the Governor General’s Award, won the Howard O'Hagan Award for Best Alberta Novel. Like No Fixed Address, van Herk’s fourth novel Restlessness (1998) questions and subverts narrative form, and features another female character on the fly. In this reversed Sheherazade tale, Dorcas, a nomadic protagonist in a self-reflexive narrative about how to avoid both story and travel, paradoxically divulges her own life story to the man whom she has contracted to kill her.
Read more about this topic: Aritha Van Herk
Famous quotes containing the word novels:
“The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
—Milan Kundera (b. 1929)
“Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United Statesfirst, murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln.”
—H.L. (Henry Lewis)
“The light that radiates from the great novels time can never dim, for human existence is perpetually being forgotten by man and thus the novelists discoveries, however old they may be, will never cease to astonish.”
—Milan Kundera (b. 1929)