Criticism
Van Herk has published numerous works blending fiction and criticism, which also offer a complementary exploration of her relationship with place. In particular, van Herk has rooted and uprooted conceptions of the Canadian west and the far north. In 1990, she initiated a new genre she called geografictione, with Places Far From Ellesmere. As a travel narrative that analyzes the very concepts of both travel and narrative, Places Far From Ellesmere questions the mapping of works of fiction, as well as the journeys that take place within fiction itself, most notably Tolstoy's Anna Karenina.
Van Herk has also published two collections of essays and ficto-criticism, In Visible Ink (crypto-frictions) (1991) and A Frozen Tongue (1992). Both works question the boundaries of the traditional genres of fiction, memoir, poetry, and criticism that van Herk’s writing characteristically seeks to combine yet circumvent.
Read more about this topic: Aritha Van Herk
Famous quotes containing the word criticism:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Of all the cants which are canted in this canting world—though the cant of hypocrites may be the worst—the cant of criticism is the most tormenting!”
—Laurence Sterne (1713–1768)
“As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.”
—John Vorster (1915–1983)