Foreign Study and Inspirations
In 1927 he had applied for a Guggenheim Fellowship and was denied, but he reapplied and won the fellowship in 1929. He studied in France for a year, and chose not to extend his fellowship another six months. While many contemporary artists looked back to Africa for inspiration, Motley was inspired by the great Renaissance masters available at the Louvre. He found in the artwork there a formal sophistication and maturity that could give depth to his own work, particularly in the Dutch painters and the genre images of Delacroix, Hals, and Rembrandt. Motley’s portraits take the conventions of the Western tradition and update them—allowing for black bodies, specifically black female bodies, a space in a history that had traditionally excluded them.
Read more about this topic: Archibald Motley
Famous quotes containing the words foreign, study and/or inspirations:
“There is a close tie of affection between sovereigns and their subjects; and as chaste wives should have no eyes but for their husbands, so faithful liegemen should keep their regards at home and not look after foreign crowns. For my part I like not for my sheep to wear a stranger’s mark nor to dance after a foreigner’s whistle.”
—Elizabeth I (1533–1603)
“What is more subtle than this which ties me to the woman or man
that looks in my face?
Which fuses me into you now, and pours my meaning into you?
We understand men do we not?
What I promis’d without mentioning it, have you not accepted?
What the study could not teach—what the preaching could
not accomplish is accomplish’d, is it not?”
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“We must learn the language of facts. The most wonderful inspirations die with their subject, if he has no hand to paint them to the senses.”
—Ralph Waldo Emerson (1803–1882)