Style
Stoppard scholar Jim Hunter writes that Arcadia is a relatively realist play, compared to Stoppard's other works, although the realism is "much enhanced and teased about by the alternation of two eras". The setting and characters are true-to-life, without being archetypal. It is comprehensible: the plot is both logical and probable, following linear series of events. Arcadia's only true deviation from this definition is the inclusion of two separate, though interrelated, plotlines: both follow a linear structure along parallel lines. An example of this comes after we see the historical Thomasina deriving her mathematical equations to describe the forms of nature; we later see Val, with his computer, plotting them to produce the image of a leaf.
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Famous quotes containing the word style:
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“Style is the man himself.
[Le style c’est l’homme même.]”
—Leclerc, George-Louis Buffon, Comte De (1707–1788)