Style
Stoppard scholar Jim Hunter writes that Arcadia is a relatively realist play, compared to Stoppard's other works, although the realism is "much enhanced and teased about by the alternation of two eras". The setting and characters are true-to-life, without being archetypal. It is comprehensible: the plot is both logical and probable, following linear series of events. Arcadia's only true deviation from this definition is the inclusion of two separate, though interrelated, plotlines: both follow a linear structure along parallel lines. An example of this comes after we see the historical Thomasina deriving her mathematical equations to describe the forms of nature; we later see Val, with his computer, plotting them to produce the image of a leaf.
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Famous quotes containing the word style:
“A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”
—Katherine Anne Porter (1890–1980)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)