Design and Development
Arado's chief designer Walter Rethel started design of a new two-seat trainer in 1931, with the design being developed by Walter Blume when Rethel transferred to Messerschmitt, with the first prototype, the Ar 66a flying in 1932.
The Ar 66 had an Argus As 10 air-cooled inverted V8 engine producing about 179 kW (240 hp), which drove a 2.5 m (8.2 ft) two-blade propeller. It carried 205 L (54 US gal) of fuel, and 17 L (4 US gal) of oil.
The fuselage had an oval cross-section and was made of welded steel tubes, covered with fabric. The double wings provided very high lift, even at low speeds. Both wings had the same span and an 8° sweep. Construction consisted of a double pine wing spar structure, with lime tree ribs, and fabric covering. There were ailerons in both upper and lower wings. The tail had a conventional design, with the horizontal stabilizer mounted on the fuselage upper edge. The rudder was placed behind the elevator. Both the rudder and the elevator were of steel tube covered in fabric, and had a bigger surface than the first version to correct balance problems. The steel tube undercarriage was attached to the fuselage in a "V" shape and used a high-pressure rubber suspension.
The crew consisted of two: instructor pilot and trainee, seated in open tandem cockpits equipped with dual controls. The aircraft was equipped with instrument flight systems with photographic cameras were mounted as optional equipment.
Read more about this topic: Arado Ar 66
Famous quotes containing the words design and/or development:
“If I knew for a certainty that a man was coming to my house with the conscious design of doing me good, I should run for my life ... for fear that I should get some of his good done to me,—some of its virus mingled with my blood.”
—Henry David Thoreau (1817–1862)
“And then ... he flung open the door of my compartment, and ushered in “Ma young and lovely lady!” I muttered to myself with some bitterness. “And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)