The New Hope Experiment
In 1939, Raymond's architectural practice in the United States began with the purchase and conversion of his farm and studio in New Hope, Pennsylvania. He and his wife's goal was to "create a physical and intellectual environment that mirrored and supported their approach to modern design-one that synthesised International Style developments with lessons learned from Japan's craft tradition". They hoped that the lifestyle and design ethos that they would create, would be simpler and more in tune with nature, similar in set up to Frank Lloyd Wright's Taliesin Fellowship.
The Raymonds modified the house to create a more open plan feel, separated by Japanese fusuma partitions and shōji screens. The rooms were filled with objects of art, including rugs designed by Noémi and crockery by the Mingei designer Minagawa Masu.
Raymond developed a prospectus for aspiring architects to come and live and study at New Hope and he attracted at least 20. In addition to teaching practical design solutions, the apprentices had hands-on work with various building trades. Farm work and hay making contributed a physical aspect. Students included Junzō Yoshimura and Carl Graffunder, and the farm was visited by people like Eero Saarinen and Alvar Aalto.
Once the students had become settled, Raymond sought real-world projects for them to work upon, to put his theories into practice. Projects included an assortment of houses and extensions in New Jersey, Connecticut and Long Island.
In May 1943, the Raymond vouched for George Nakashima and his family, releasing them from a Japanese internment camp in Idaho, so that they could come and live at the New Hope farm.
Read more about this topic: Antonin Raymond
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