Works
Among his works are a violin concerto, a symphony, and Sacco and Vanzetti, an opera in both Italian and English about immigrants Sacco and Vanzetti. In the 1950s and 1960s, Coppola was the musical director of six Broadway musicals, including Silk Stockings, Bravo Giovanni and The Boy Friend. He conducted two film scores, 1992's The Godfather Part III and 1992's Dracula. He appeared in the former, shown conducting Cavalleria Rusticana in the Teatro Massimo of Palermo.
He debuted with the New York City Opera in 1965, conducting the world premiere of Jack Beeson's Lizzie Borden, and led performances of Carmen (with Beverly Wolff, Richard Cassilly and Norman Treigle), La traviata, Il barbiere di Siviglia, and Madama Butterfly during the same year. At the Seattle Opera in 1970, Coppola led the world premiere of Carlisle Floyd's Of Mice and Men.
Coppola was honored with the Lifetime Achievement Award from the Puccini Foundation and recognized by the Italian government as Cavaliere, Gran Ufficiale. He currently serves as Maestro of Opera Tampa.
Coppola collaborated with the Royal Opera Orchestra and opera soprano Angela Gheorghiu on a recording of Puccini works.
Read more about this topic: Anton Coppola
Famous quotes containing the word works:
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (1899–1977)
“Great works constructed there in nature’s spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.”
—William Butler Yeats (1865–1939)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)