Anthony Higgins (actor) - Films

Films

  • Bel Ami (2012) .... Comte de Vaudrec
  • Malice in Wonderland (2009) .... Rex
  • Chromophobia (2005) .... Geoffrey Wharton
  • The Last Minute (2001) .... Walsh
  • Deeply (2000) .... Adm. Griggs
  • Bandyta (1997)
  • The Fifth Province (1997) .... Marcel
  • Indian Summer (1996) .... Ramon
  • Nostradamus (1994/I) .... King Henry II
  • For Love or Money (1993) .... Christian Hanover
  • Sweet Killing (1993) .... Adam Crosse
  • La règle du je (1992) .... Alexander
  • The Bridge (1992) .... Reginald Hetherington
  • Max, Mon Amour (1986) .... Peter Jones
  • Young Sherlock Holmes (1985) .... Professor Rathe (also known as Eh Tar)
  • The Bride (1985/I) .... Clerval
  • She'll Be Wearing Pink Pyjamas (1984) .... Tom
  • The Draughtsman's Contract (1982) .... Mr. Neville
  • Raiders of the Lost Ark (1981) .... Gobler
  • Quartet (1981) .... Stephan Zelli
  • Voyage of the Damned (1976) .... Seaman Berg
  • Flavia, la Monaca Musulmana (1974) (as Anthony Corlan) .... Ahmed
  • Vampire Circus (1972) (as Anthony Corlan) .... Emil
  • Something for Everyone (1970) (as Anthony Corlan) .... Helmuth Von Ornstein
  • Taste the Blood of Dracula (1970) (as Anthony Corlan) .... Paul Paxton
  • A Walk with Love and Death (1969) (as Anthony Corlan) .... Robert of Loris

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Famous quotes containing the word films:

    “If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. There’s nothing behind it.”
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    “Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
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    “The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
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