Context
Uncle Tupelo's third album, March 16–20, 1992, was released though Rockville Records on August 3, 1992. On the release, the band eschewed the growing popularity of alternative rock by playing acoustic folk and country songs "as a big 'fuck you' to the rock scene". Drummer Mike Heidorn had a reduced role on the album; because it was an acoustic album, Heidorn added only brush-stroke percussion on a few songs. Heidorn wanted to leave the band to spend more time with his family—his girlfriend was the mother of two children. After band manager Tony Margherita announced that several major labels were interested in signing Uncle Tupelo, Heidorn decided to permanently leave the band.
Rockville Records refused to pay Uncle Tupelo any royalties, even though the band's first two albums, No Depression and Still Feel Gone, sold a combined 40,000 copies. Consequently, Margherita was trying to find a new recording deal for the band. On a recommendation by singer Gary Louris of The Jayhawks, talent scout Joe McEwen pursued the band for a contract with Sire Records. McEwen was impressed by how the band was willing to go against trends, calling the band "an alternative to the alternative". Executing an out-clause in their contract with Rockville, Uncle Tupelo signed a seven-record deal with Sire in 1992. The deal guaranteed the release of at least two albums, with a $150,000 budget for the first.
Before releasing their first album with Sire, Uncle Tupelo needed a drummer. The two remaining members of the band interviewed twenty-four candidates. Farrar and Tweedy were both impressed with Ken Coomer, the former drummer of Clockhammer, but decided to give the position to Bill Belzer. Belzer toured with Uncle Tupelo as the opening act for Sugar during the European segment of the promotional tour for March 16–20, 1992, but was dismissed from the band after six months in favor of Coomer. Coomer was not the only new member added after the tour—Uncle Tupelo sought to expand beyond a trio for the Anodyne recording sessions. They recruited multi-instrumentalist Max Johnston and bassist John Stirratt—Stirratt's presence enabled Tweedy to become a full-time guitarist on the songs that he wrote.
Read more about this topic: Anodyne (album)
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