The Annie Award for Music in a Feature Production (or Annie Award for Music in an Animated Feature Production) is an award given annually, except 2002, to the best music in an animated feature film, theatrical or direct-to-video. It began in 1997 as the Annie Award for Best Individual Achievement: Music in a Feature/Home Video Production. Throughout the following years, the title was renamed Outstanding Individual Achievement for Music in an Animated Feature Production, Outstanding Individual Achievement for Music Score in an Animated Feature Production, and Outstanding Music in an Animated Feature Production before changing to its current title in 2005. It was retitled Best Music in an Animated Feature Production in 2006 for three years before being reverted back to Music in an Animated Feature Production in 2009.
Famous quotes containing the words annie, award, music, feature and/or production:
“A-list’nin’ to the witch-tales ‘at Annie tells about,
An’ the Gobble-uns ‘at gits you
Ef you
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—James Whitcomb Riley (1849–1916)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“Blunders are an inescapable feature of war, because choice in military affairs lies generally between the bad and the worse.”
—Allan Massie (b. 1938)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)