Annette Funicello - Actress and Singer

Actress and Singer

After the Mickey Mouse Club, she remained under contract with Disney for a time, with television roles in Zorro, Elfego Baca and The Horsemasters. For Zorro she played Anita Campillo in a three-episode storyline about a teen-aged girl who arrives in Los Angeles to visit a father who does not seem to exist. This role was reportedly a birthday present from Walt Disney, and the first of two different characters played opposite Guy Williams as Zorro. Annette also co-starred in Disney-produced movies such as The Shaggy Dog, Babes in Toyland, The Misadventures of Merlin Jones, and The Monkey's Uncle.

Although uncomfortable being thought of as a singer, Annette had a number of pop record hits in the late 1950s and early 1960s, mostly written by the Sherman Brothers and including: "Tall Paul," "First Name Initial," "O Dio Mio," "Train of Love" (written by Paul Anka) and "Pineapple Princess." They were released by Disney's Buena Vista label. Annette also recorded "It's Really Love" in 1959, a reworking of an earlier Paul Anka song called "Toot Sweet"; Anka reworked the song for a third time in 1962 as "Johnny's Theme" and it opened The Tonight Show Starring Johnny Carson on television for the next three decades. In an episode of the Disney anthology television series titled "Disneyland After Dark," Annette can be seen singing live at Disneyland. Walt Disney was reportedly a fan of 1950s pop star Teresa Brewer and tried to pattern Annette's singing in the same style. However, Funicello credits "the Annette sound" to her record producer, Tutti Camarata, who worked for Disney in that era. Camarata had her double-track her vocals, matching her first track as closely as possible on the second recording to achieve a fuller sound than her voice would otherwise produce. Early in her career, she appeared on the NBC interview program Here's Hollywood.

Read more about this topic:  Annette Funicello

Famous quotes containing the words actress and/or singer:

    An actress must be a woman whose emotional perceptions are true, and to make them so, she must have a fine contempt for any art or thought that betrays them for something false.
    Nance O’Neil (1874–1965)

    The question is not ... if art is enough to fulfill my life, but if I am true to the path I have set for myself, if I am the best I can be in the things I do. Am I living up to the reasons I became a singer in the first place?
    Kathleen Battle (b. 1948)