Today's Beach House
Developed as a Design-Build partnership between Frederick Fisher and Partners Architects and Charles Pankow Builders, The Annenberg Community Beach House was conceived as a series of indoor/outdoor recreation and event spaces, both formal and informal, woven through the site. The primary organizing device is a concrete wall that serves a backbone to the disparate elements of the project and as a sound buffer to the adjacent highway. The wall is subtly stained with green stripes to suggest beach awnings. The new buildings and landscape elements of the project were designed to create a public gateway to the beach, an icon for the site's history and a framework for many kinds of community uses, returning the site to its former status as a landmark for the City and southern California.
The new entry to the facility exists at its southern end with public parking and public transportation drop off areas. A high trellis frames the entrance on a boardwalk that runs the length of the site, parallel to the water, at the line of the mean high tide when the estate was developed. After the Santa Monica Pier was built, the mean high tide line has shifted to enlarge the beach by four hundred feet. This boardwalk is an index of the gradual changes in nature and is a link to each of the four main areas of the site: the Entrance, the Pool and Pool House, the Event House, and the Guest House. The entrance is flanked by the pre-existing “Back on the Beach” restaurant and public restrooms and showers on one side and the reception, ticketing and lifeguard building on the other. A shaded children’s play area and restaurant take-out window are just past the entrance on the beach.
The historic pool and deck area, with restored tile mosaics and stone paving, is within a landscaped enclosure below the beach level. Facing the pool is a freestanding white colonnade that defines the location and scale of the mansion’s façade. The footprint of the huge structure is delineated on the parking lot behind the Pool House. Behind the colonnade, a series of 14 concrete pillars, each 30 feet high, is the new Pool House with changing rooms, restrooms and built-in cabana areas lined with wood stained in colors taken from the pool tile. On the second floor is a glass enclosed event room and open terrace that overlooks the pool, with views along the coast from the Santa Monica Pier to the Santa Monica Mountains and back to Palisades Park.
Midway along the boardwalk, at the center line of the old mansion, a second boardwalk facilitates accessibility across the deep beach to the water’s edge. Continuing north, the boardwalk passes beach volleyball courts that maintain the game’s presence on the site where it was invented. On the inland side of the boardwalk north of the pool is a series of ground level terraces framed with landscape. These areas include a children’s play area with a water feature and other spaces shaded by palm and melaleuca trees. The Event House contains three rooms of different sizes, two with fireplaces, for community use.
The Boardwalk terminates at the north parking lot. Beach activities are supported by a small building that supplies umbrellas, chairs, boogie boards and other beach paraphernalia. Beach volleyball courts are available for public use as well.
The historic Guest House is the focal point of the sequence of spaces and structures. Carefully restored, the house is set within gardens and terraces that create a series of outdoor rooms. A sculptural installation in front of the house by artist Roy McMakin relates to feelings of tradition and domesticity. A waterfall masks the highway sound in this space between the Guest House and the Event House. The Guest House accommodates community uses and didactic exhibits about the site’s history.
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Famous quotes containing the words today, beach and/or house:
“Farewell? a long farewell to all my greatness.
This is the state of man; today he puts forth
The tender leaves of hopes, tomorrow blossoms,
And bears his blushing honors thick upon him:
The third day comes a frost, a killing frost,
And when he thinks, good easy man, full surely
His greatness is a-ripening, nips his root,
And then he falls as I do.”
—William Shakespeare (1564–1616)
“Across the lonely beach we flit,
One little sandpiper and I;
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The scattered driftwood, bleached and dry.
The wild waves reach their hands for it,
The wild wind raves, the tide runs high,
As up and down the beach we flit—
One little sandpiper and I.”
—Celia Thaxter (”Laighton”)
“... a family I know ... bought an acre in the country on which to build a house. For many years, while they lacked the money to build, they visited the site regularly and picnicked on a knoll, the site’s most attractive feature. They liked so much to visualize themselves as always there, that when they finally built they put the house on the knoll. But then the knoll was gone. Somehow they had not realized they would destroy it and lose it by supplanting it with themselves.”
—Jane Jacobs (b. 1916)