Work
Enright's early work has often been compared by critics to that of Flann O'Brien. The Portable Virgin, a collection of her short stories, was published in 1991. Angela Carter called it "elegant, scrupulously poised, always intelligent and, not least, original."
Enright's first novel, The Wig My Father Wore, was published in 1995. The book explores themes such as love, motherhood, Roman Catholicism, and sex. The narrator of the novel is Grace, who lives in Dublin and works for a tacky game show. Her father wears a wig that cannot be spoken of in front of him. An angel called Stephen who committed suicide in 1934 and has come back to earth to guide lost souls moves into Grace's home and she falls in love with him.
Enright's next novel, What Are You Like? (2000), is about twin girls called Marie and Maria who are separated at birth and raised apart from each other in Dublin and London. It looks at tensions and ironies between family members. It was short-listed in the novel category of the Whitbread Awards. The Pleasure of Eliza Lynch (2002) is a fictionalised account of the life of Eliza Lynch, an Irish woman who was the consort of Paraguayan president Francisco Solano López and became Paraguay's most powerful woman in the 19th century. Her book Making Babies: Stumbling into Motherhood (2004) is a collection of candid and humorous essays about childbirth and motherhood. Enright's fourth novel, The Gathering, was published in 2007.
Enright's writings have appeared in several magazines, including The New Yorker, The Paris Review, Granta, the London Review of Books, the Dublin Review, and the Irish Times. She was once a regular contributor to BBC Radio 4, and now reviews for The Guardian and RTÉ. The 4 October 2007 issue of the London Review of Books published her essay, "Disliking the McCanns", about Kate and Gerry McCann, the British parents of three-year-old Madeleine McCann, who disappeared in suspicious circumstances while on holiday in Portugal in May 2007. The essay was criticised by some journalists.
In 2011, the Irish Academic Press published a collection of essays on Enright's work, edited by Claire Bracken and Susan Cahill.
Read more about this topic: Anne Enright
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“Artists have a double relationship towards nature: they are her master and her slave at the same time. They are her slave in so far as they must work with means of this world so as to be understood; her master in so far as they subject these means to their higher goals and make them subservient to them.”
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