Anna Louisa Geertruida Bosboom-Toussaint - Works

Works

  • Almagro (1837)
  • De Graaf van Devonshire: romantische épisode uit de jeugd van Elisabeth Tudor ("The Earl of Devonshire, Romantic Episode from Elisabeth Tudor's Youth", 1838)
  • Engelschen te Rome: romantische épisode uit de regering van paus Sixtus V ("The English at Rome, Romantic Episode from Pope Sixtus V's Reign", 1839)
  • Het huis Lauernesse ("The House of Lauernesse", 1840)
  • Lord Edward Glenhouse (1840)
  • De prinses Orsini ("The Princess of Orsini", 1843)
  • Eene kroon voor Karel den Stouten ("A Crown for Charles the Bold", 1842)
  • De graaf van Leycester in Nederland ("The Earl of Leicester in the Netherlands", 1846)
  • Mejonkvrouwe De Mauléon ("Lady De Mauléon", 1848)
  • Don Abbondio II (1849)
  • Het huis Honselaarsdijk in 1638 ("The House of Honselaarsdijk in 1638", 1849)
  • De vrouwen van het Leycestersche tijdvak ("The Women of the Leicesterean Era", 1850)
  • Media-Noche: een tafereel uit den Nijmeegschen vredehandel, 1678 ("Media Noche, a Tableau from the Nijmegen Peace Trade", 1852)
  • Gideon Florensz: romantisch-historische épisode uit het laatste tijdperk van Leycesters bestuur in Nederland ("Gideon Florensz, a Romantic-Historical Episode from the Last of Leicester's Administration in the Netherlands", 1854)
  • Graaf Pepoli: de roman van een rijke edelman ("Count Pepoli, a Rich Nobleman's Tale", 1860)
  • De triomf van Pisani ("Pisani's Triumph", 1861)
  • De verrassing van Hoey in 1595 ("Hoey's Surprise of 1595", 1866)
  • De Delftsche wonderdokter ("The Nectromancer of Delft", 1871)
  • Majoor Frans ("Major Francis", 1875)
  • Raymond de schrijnwerker ("Raymond, Master Carpenter", 1880)
  • Volledige romantische werken ("Complete Romantic Works", 1885–1888)

Note: until 1851, when Geertruida Toussaint married Johannes Bosboom, her works were published under her maiden name (A.L.G. Toussaint). Later works and reprints of her earlier works carried her married name (A.L.G. Bosboom-Toussaint).

Read more about this topic:  Anna Louisa Geertruida Bosboom-Toussaint

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    “The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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