Production
The characters in Ankur often speak the Dakhani language, a variant of Standard Hindi-Urdu spoken in Southern India (particularly in the Hyderabad area). For example, when Surya asks Lakshmi where Kishtayya is, she responds, "Mereku naheeN maaluum" in Dakhani instead of "Mujhe naheeN maaluum" (I don't know) in Standard Hindi. (See Muslim culture of Hyderabad for more examples of Dakhani).
Shabana Azmi, a fresh graduate from Film and Television Institute of India, Pune (FTII), wasn't the first choice for the role of Lakshmi, Benegal had earlier approached, actress, Waheeda Rehman, Anju Mahendru and Sharada, all of whom had refused his offer. Thereafter, he chose Shabana Azmi, there again, he had to alter the script a bit to suit, the younger looking Lakshmi.
Benegal was initially reluctant to hire Shabana Azmi, thinking she was a model and perhaps unsuitable for the role of a humble villager.
Read more about this topic: Ankur (film)
Famous quotes containing the word production:
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)