Production
The characters in Ankur often speak the Dakhani language, a variant of Standard Hindi-Urdu spoken in Southern India (particularly in the Hyderabad area). For example, when Surya asks Lakshmi where Kishtayya is, she responds, "Mereku naheeN maaluum" in Dakhani instead of "Mujhe naheeN maaluum" (I don't know) in Standard Hindi. (See Muslim culture of Hyderabad for more examples of Dakhani).
Shabana Azmi, a fresh graduate from Film and Television Institute of India, Pune (FTII), wasn't the first choice for the role of Lakshmi, Benegal had earlier approached, actress, Waheeda Rehman, Anju Mahendru and Sharada, all of whom had refused his offer. Thereafter, he chose Shabana Azmi, there again, he had to alter the script a bit to suit, the younger looking Lakshmi.
Benegal was initially reluctant to hire Shabana Azmi, thinking she was a model and perhaps unsuitable for the role of a humble villager.
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Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)