Marvell's Poetic Style
T. S. Eliot wrote of Marvell's style that 'It is more than a technical accomplishment, or the vocabulary and syntax of an epoch; it is, what we have designated tentatively as wit, a tough reasonableness beneath the slight lyric grace'. He also identified Marvell and the metaphysical school with the 'dissociation of sensibility' that occurred in 17th-century English literature; Eliot described this trend as 'something which... happened to the mind of England... it is the difference between the intellectual poet and the reflective poet'. Poets increasingly developed a self-conscious relationship to tradition, which took the form of a new emphasis on craftsmanship of expression and an idiosyncratic freedom in allusions to Classical and Biblical sources.
Marvell's most famous lyric, "To His Coy Mistress", combines an old poetic conceit (the persuasion of the speaker's lover by means of a carpe diem philosophy) with Marvell's typically vibrant imagery and easy command of rhyming couplets. Other works incorporate topical satire and religious themes.
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Famous quotes containing the words marvell, poetic and/or style:
“Or shatter too with him my curious frame:
And let these wither, so that he may die,
Though set with Skill and chosen out with Care.
That they, while Thou on both their Spoils dost tread,
May crown thy Feet, that could not crown thy Head.”
—Andrew Marvell (1621–1678)
“I believe that every man who has ever been earnest to preserve his higher or poetic faculties in the best condition has been particularly inclined to abstain from animal food, and from much food of any kind.”
—Henry David Thoreau (1817–1862)
“The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.”
—Raymond Chandler (1888–1959)