History
Since the mid-1970s Andrew Garton participated in numerous independent and community media initiatives in Australia and South East Asia: from radio and public access video in his teens to computer networking in the late 1980s and 1990s with Pegasus Networks. Garton was motivated at an early age towards collaborative media art works, combining interests in music, performance and public media. In the past twenty-five years he has written and performed plays, joined and formed bands, written scores for television documentaries, penned countless songs, piano and electronic compositions, experimented with recording and performance techniques.
Andrew began composing music in the late 1970s and studied composition with composer and pianist, Sykes Rose in the early 1980s. Andrew went on to perform, write and record with numerous bands, ensembles and free improvisation groups most notably Private Lives, Astrobeatniks, Lingo Babel, White Punks on Hope and Back from Nowhere.
In the mid-80s Andrew began composing for film and stage. He completed scores for numerous documentaries produced by UK's Channel 4 and the Australian Broadcasting Corporation (ABC), most notably, the award winning Anyone Can be A Genius and In Grave Danger of Falling Food, a three part series investigating the life-time work of Permaculture founder, Bill Mollison.
Andrew's music for theatre is largely focused on his own solo works and spoken-word operas (Black Harlequin, Auslaender und Staatenlose), with commissions for Queensland's Omniscient Gallery and the Debacle Theater Company, most notably their landmark interpretation of Anthony Burgess' A Clockwork Orange (1994).
Read more about this topic: Andrew Garton
Famous quotes containing the word history:
“The history of reform is always identical; it is the comparison of the idea with the fact. Our modes of living are not agreeable to our imagination. We suspect they are unworthy. We arraign our daily employments.”
—Ralph Waldo Emerson (1803–1882)
“There is one great fact, characteristic of this our nineteenth century, a fact which no party dares deny. On the one hand, there have started into life industrial and scientific forces which no epoch of former human history had ever suspected. On the other hand, there exist symptoms of decay, far surpassing the horrors recorded of the latter times of the Roman empire. In our days everything seems pregnant with its contrary.”
—Karl Marx (1818–1883)
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
—Adrienne Rich (b. 1929)