Ancient Greek Comedy

Ancient Greek Comedy

The Alexandrine grammarians, and most likely Aristophanes of Byzantium in particular, seem to have been the first to divide Greek comedy into what became the canonical three periods: Old Comedy (archaia), Middle Comedy (mese) and New Comedy (nea). These divisions appear to be largely arbitrary, and ancient comedy almost certainly developed constantly over the years.

Read more about Ancient Greek Comedy:  Poets of Uncertain Date

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    Well, love is insanity. The ancient Greeks knew that. It is the taking over of a rational and lucid mind by delusion and self-destruction. You lose yourself, you have no power over yourself, you can’t even think straight.
    Marilyn French (b. 1929)

    Take a timber
    That you shall find lies in the cellar, charred
    Among the raspberries, and hew and shape it
    For a doorsill or other corner piece
    In a new cottage on the ancient spot.
    The life is not yet all gone out of it.
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    Certainly for us of the modern world, with its conflicting claims, its entangled interests, distracted by so many sorrows, so many preoccupations, so bewildering an experience, the problem of unity with ourselves in blitheness and repose, is far harder than it was for the Greek within the simple terms of antique life. Yet, not less than ever, the intellect demands completeness, centrality.
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    The difference between tragedy and comedy is the difference between experience and intuition. In the experience we strive against every condition of our animal life: against death, against the frustration of ambition, against the instability of human love. In the intuition we trust the arduous eccentricities we’re born to, and see the oddness of a creature who has never got acclimatized to being created.
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