Anarchist Themes in The Film
Little about anarchist philosophy is actually explained within the film, much less why the individual characters would be attracted to it, though clear references to certain facets of anarchism are made. Examples include references to Kropotkin, the definition of the word anarchy, and a brief exchange on the use of the color black as an anarchist symbol. One scene between the anarchists and their founder also touches on the relationship between anarchists and socialists, and the turmoil that occurred among political factions after the Russian Revolution of 1917, as a result of which many anarchists were split over whether to support the Bolshevik state, and anarchism as a movement began to see a decline in Asia.
For their part, the promoters were not at all shy about describing their protagonists as "terrorists", despite the obvious negative connotations the term carries, and the fact that western mainstream media sources often meet anarchists with hostility. However, the film is unique among fictional depictions of anarchists in that its tone is sympathetic. Most interpretations of anarchists are based on the western bias that anarchism is a philosophy grounded in terrorism. The willingness to accept anarchists as positive historical figures may be owed to the fact that "terrorism" as practiced by anarchists in Europe and the West never caught on in Asia; that the anarchists were part of a larger, anti-imperial movement that is celebrated as an important part of Korean national heritage; and that today anarchism is a relatively unknown philosophy in East Asian countries.
Anarchists are not seen as barbarians, but rather as political novelties who existed during a period when anyone who rebelled was a hero.
Read more about this topic: Anarchists (film)
Famous quotes containing the words anarchist, themes and/or film:
“The anarchist and the Christian have a common origin.”
—Friedrich Nietzsche (18441900)
“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shiite fundamentalists.”
—Barbara Ehrenreich (b. 1941)
“All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
—Doris Lessing (b. 1919)