An American Mosaic: Prose and Poetry by Everyday Folk is an anthology of writings by persons without literary ambition that were developed in the first nine years of Free River writing workshops. Published in 1999 by Oxford University Press, the collection contains prose and poetry of the homeless, short essays and stories by Midwestern and Mississippi Delta farm families, by small town residents of vanishing rural America, and by men who make their living on the Mississippi River: a towboat captain, a river pilot, a commercial fisherman.
Inspired by America Today, Thomas Hart Benton’s 1932 panorama of the United States, An American Mosaic explores America from the point of those whose stories are seldom heard. The editor, Robert Wolf, connects these panels with interpretive essays on contemporary America.
As a reviewer for Kirkus Reviews wrote: "Wolf hears America singing by recording poems and essays by the homeless, farmers, commune inhabitants, and residents of small river towns, the most common and least represented element in our urban, urbane culture. What weaves these pieces together is a sense of sadness and nostalgia because a way of life is disappearing. Wolf sees the rapid technological advances of the past few decades as increasingly dehumanizing. Jettisoned in its wake, he theorizes, are the thousands of mentally ill homeless, the newly unemployed and impoverished, the low-tech and depressed small-town dwellers, and the abandoned company ghosts of the manufacturing era. Local education has failed in the misery belt ‘because those driving this society are, as a class, anti-intellectual and unimaginative.' These elegiac themes dominate."
Famous quotes containing the words american, prose, poetry, everyday and/or folk:
“We talked about and that has always been a puzzle to me
why American men think that success is everything
when they know that eighty percent of them are not
going to succeed more than to just keep going and why
if they are not why do they not keep on being
interested in the things that interested them when
they were college men and why American men different
from English men do not get more interesting as they
get older.”
—Gertrude Stein (18741946)
“Good authors, too, who once knew better words
Now only use four-letter words
Writing prose ...
Anything goes.”
—Cole Porter (18931964)
“When I said.
A rose is a rose is a rose.
And then later made that into a ring I made poetry and what
did I do I caressed completely caressed and addressed
a noun.”
—Gertrude Stein (18741946)
“Towns are full of people, houses full of tenants, hotels full of guests, trains full of travelers, cafés full of customers, parks full of promenaders, consulting-rooms of famous doctors full of patients, theatres full of spectators, and beaches full of bathers. What previously was, in general, no problem, now begins to be an everyday one, namely, to find room.”
—José Ortega Y Gasset (18831955)
“Do you know what a soldier is, young man? Hes the chap who makes it possible for civilised folk to despise war.”
—Allan Massie (b. 1938)