An American Mosaic: Prose and Poetry By Everyday Folk

An American Mosaic: Prose and Poetry by Everyday Folk is an anthology of writings by persons without literary ambition that were developed in the first nine years of Free River writing workshops. Published in 1999 by Oxford University Press, the collection contains prose and poetry of the homeless, short essays and stories by Midwestern and Mississippi Delta farm families, by small town residents of vanishing rural America, and by men who make their living on the Mississippi River: a towboat captain, a river pilot, a commercial fisherman.

Inspired by America Today, Thomas Hart Benton’s 1932 panorama of the United States, An American Mosaic explores America from the point of those whose stories are seldom heard. The editor, Robert Wolf, connects these panels with interpretive essays on contemporary America.

As a reviewer for Kirkus Reviews wrote: "Wolf hears America singing by recording poems and essays by the homeless, farmers, commune inhabitants, and residents of small river towns, the most common and least represented element in our urban, urbane culture. What weaves these pieces together is a sense of sadness and nostalgia because a way of life is disappearing. Wolf sees the rapid technological advances of the past few decades as increasingly dehumanizing. Jettisoned in its wake, he theorizes, are the thousands of mentally ill homeless, the newly unemployed and impoverished, the low-tech and depressed small-town dwellers, and the abandoned company ghosts of the manufacturing era. Local education has failed in the misery belt ‘because those driving this society are, as a class, anti-intellectual and unimaginative.' These elegiac themes dominate."

Famous quotes containing the words american, prose, poetry, everyday and/or folk:

    The American adolescent, then, is faced, as are the adolescents of all countries who have entered or are entering the machine age, with the question: freedom from what and at what price? The American feels so rich in his opportunities for free expression that he often no longer knows what it is he is free from. Neither does he know where he is not free; he does not recognize his native autocrats when he sees them.
    Erik H. Erikson (1904–1994)

    Good authors, too, who once knew better words
    Now only use four-letter words
    Writing prose ...
    Anything goes.
    Cole Porter (1893–1964)

    A man should have a farm or a mechanical craft for his culture. We must have a basis for our higher accomplishments, our delicate entertainments of poetry and philosophy, in the work of our hands.
    Ralph Waldo Emerson (1803–1882)

    “... You could sit there with the stains on your shoes
    Of the fresh earth from your own baby’s grave
    And talk about your everyday concerns.
    You had stood the spade up against the wall
    Outside there in the entry, for I saw it.”
    Robert Frost (1874–1963)

    An’ when the earth’s as cauld’s the mune
    An’ a’ its folk are lang syne deid,
    On coontless stars the Babe maun cry
    An’ the Crucified maun bleed.
    Hugh MacDiarmid (1892–1978)