Amphora - Production

Production

Roman amphorae were wheel-thrown terracotta containers. During the production process the body was made first and then left to partially dry. Then coils of clay were added to form the neck, the rim, and the handles. Once the amphora was complete, the interior was then treated with resin in order to prevent permeation of stored liquids. The reconstruction of these stages of production is based primarily on the study of modern amphora production in some areas of the eastern Mediterranean. Amphorae were often marked with a variety of stamps, graffiti and inscriptions. They provided information on the production, content and subsequent marketing. A stamp was usually applied to the amphora at a partially dry stage. It indicates the name of the figlina (workshop) and/or the name of the owner of the workshop. Painted stamps, tituli picti, were executed when the amphora was completed. They recorded the weight of the container and the content.

Read more about this topic:  Amphora

Famous quotes containing the word production:

    It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.
    John Dewey (1859–1952)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
    Karl Marx (1818–1883)