Amos 'n' Andy - Television

Television

Hired by CBS as producers of the television show, Gosden and Correll were ready to try bringing the show to television as early as 1946; the search for cast members went on for 4 years before filming began. According to a 1950 newspaper story, Gosden and Correll had initial aspirations of voicing the characters Amos, Andy and Kingfish for television, while the actors hired for these roles performed and apparently were to lip-sync the story lines. A year later, both spoke about how they realized they were visually unsuited to play the television roles, citing difficulties with making the Check and Double-Check film. No further mention was made about Gosden and Correll continuing to voice the key male roles in the television series. Corell and Gosden did record the lines of the main male characters for the television show to serve as a guideline for the television show dialogue at one point. In 1951, the men set a date of 1953 for their retirement from broadcasting; there was speculation that their radio roles might be turned over to African American actors at that time.

Adapted to television, The Amos 'n Andy Show was produced from June 1951 to April 1953 with 78 filmed episodes, sponsored by the Blatz Brewing Company. The television series used African-American actors in the main roles, although the actors were instructed to keep their voices and speech patterns as close to Gosden and Correll's as possible. Produced at the Hal Roach Studios for CBS, it was one of the first television series to be filmed with a multicamera setup, four months before the more famous I Love Lucy used the technique. The lighting cameraman (Director of Photography) was Robert de Grasse ASC. The operating cameramen (camera operators) were Robert de Grasse, Lucien Andriot ASC, and Benjamin Kline ASC. The classic theme song was "The Perfect Song." In the TV series, however, the theme became Gaetano Braga's "Angel's Serenade", which sounded similar to "The Perfect Song" (and because it was in the public domain), performed by The Jeff Alexander Chorus. The program went on the air June 28, 1951.

The main roles in the television series were played by the following African-American actors:

  • Amos Jones – Alvin Childress
  • Andrew Hogg Brown (Andy) – Spencer Williams
  • George "Kingfish" Stevens – Tim Moore
  • Sapphire Stevens – Ernestine Wade
  • Ramona Smith (Sapphire's Mama) – Amanda Randolph
  • Madame Queen – Lillian Randolph
  • Algonquin J. Calhoun – Johnny Lee
  • Lightnin' – Nick Stewart (aka, Nick O'Demus)
  • Ruby Jones – Jane Adams

This time, the NAACP mounted a formal protest almost as soon as the television version began, and that pressure was considered a primary factor in the video version's cancellation (the sponsor, Blatz Beer, was targeted as well, finally discontinuing their advertising support in June 1953). It has been suggested that CBS erred in its choice of having the program premiere during the NAACP national convention for that year, as the timing may have increased the objections to it. The show was widely repeated in syndicated reruns until 1966 when CBS acquiesced to pressure from the NAACP and the growing civil rights movement and withdrew the program. Until recently, the television show had been released only on bootleg videotape versions, but by 2005, 72 of the 78 known TV episodes were available in bootleg DVD sets.

When the show was cancelled, 65 episodes had been produced. An additional 13 episodes were produced to be added to the syndicated rerun package. These episodes were focused on Kingfish, with little participation from Amos 'n' Andy. This is because these episodes were to be titled The Adventures of Kingfish, but they premiered under the Amos 'n' Andy title instead. The additional episodes first aired on CBS on January 4, 1955. Plans were made for a vaudeville act of the television program in August 1953, with Tim Moore, Alvin Childress and Spencer Williams playing the same roles. It is not known whether there were any performances. Still eager for television success, Gosden, Correll and CBS made initial efforts to give the series another try. The plan was to begin televising Amos 'n' Andy in the fall of 1956, with both of its creators appearing on television in a split screen with the proposed African-American cast.

A group of cast members began a "TV Stars of Amos 'n' Andy" cross-country tour in 1956, which was halted by CBS; the network considered it an infringement of their exclusive rights to the show and its characters. Following the threatened legal action which brought the 1956 tour to an end, Moore, Childress, Williams and Lee were able to perform like this for at least one night in 1957 in Windsor, Ontario.

In 1978, a one-hour documentary film, Amos 'n' Andy: Anatomy of a Controversy, aired in television syndication (and in later years, on PBS). It told a brief history of the franchise from its radio days to the CBS series, and featured interviews with then-surviving cast members. The film also contained a select complete episode of the classic TV series that had not been seen since it was pulled from the air in 1966.

In 2004, the now-defunct Trio network brought Amos 'n' Andy back to television for one night in an effort to re-introduce the series to 21st century audiences. Its festival featured the Anatomy of a Controversy documentary, followed by the 1930 Check and Double Check film.

In 2012, Rejoice Network a small independent channel in Houston, TX started re-airing the show weeknights

Read more about this topic:  Amos 'n' Andy

Famous quotes containing the word television:

    They [parents] can help the children work out schedules for homework, play, and television that minimize the conflicts involved in what to do first. They can offer moral support and encouragement to persist, to try again, to struggle for understanding and mastery. And they can share a child’s pleasure in mastery and accomplishment. But they must not do the job for the children.
    Dorothy H. Cohen (20th century)

    So by all means let’s have a television show quick and long, even if the commercial has to be delivered by a man in a white coat with a stethoscope hanging around his neck, selling ergot pills. After all the public is entitled to what it wants, isn’t it? The Romans knew that and even they lasted four hundred years after they started to putrefy.
    Raymond Chandler (1888–1959)

    All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.
    Clive James (b. 1939)