Criticism
Criticism of Amnesty International includes claims of excessive pay for management, underprotection of overseas staff, associating with organisations with a dubious record on human rights protection, selection bias, ideological/foreign policy bias against either non-Western countries or Western-supported countries, criticism of Amnesty's policies relating to abortion, assertion that "defensive jihad" is not antithetical to human rights, and organisational continuity. Governments who have criticised Amnesty include those of Canada, Israel, Iran, Saudi Arabia, the Democratic Republic of the Congo, the People's Republic of China, Vietnam, Russia and the United States, for what they assert is one-sided reporting or a failure to treat threats to security as a mitigating factor. The actions of these governments—and of other governments critical of Amnesty International—have been the subject of human rights concerns voiced by Amnesty. As of February 2011, Amnesty is engaged in a dispute with the British union Unite over Amnesty allegedly attempting to de-recognize some of its foreign-based workers' rights.
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Famous quotes containing the word criticism:
“...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.”
—Mary Pickford (1893–1979)
“As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.”
—John Vorster (1915–1983)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)