History
Formed in 1997, American Pearl started with guitarist Kevin Quinn, who owns a famed Sunset Boulevard tattoo shop, and Quinn's frequent customer, singer and guitarist Kevin Roentgen of the band SOUL. They broke from individual music projects to begin a new band together and were soon joined by Noah Shain (drums) of The Imposters and Rodney Rocha (bass). American Pearl played in various L.A. clubs before being signed to Wind-up Records in 1999. This allowed them the opportunity to open concerts for Buckcherry and The Cult, as well as play at Woodstock '99. The band released its self-titled debut album, produced by Steve Jones of the Sex Pistols and Mudrock, in August 2000. This featured the singles "Free Your Mind" and "If We Were Kings." American Pearl toured extensively through North America and Japan, as a headliner and as support act for KISS, Creed, 3 Doors Down, and Days of the New before disbanding in 2002.
Kevin Roentgen went on to record and perform under the moniker Praying Hands. In 2005, Roentgen joined Los Angeles band Orson as guitarist. Drummer Noah Shain is a record producer in Los Angeles. His production credits include Orson, Run Run Run, Praying Hands, and All Day Sucker.
Their track "Automatic" was chosen to be the final song in the Scream 3 film's credits, and also appeared in the film, Dragon Ball Z: Lord Slug as a part of the soundtrack.
Read more about this topic: American Pearl
Famous quotes containing the word history:
“I cannot be much pleased without an appearance of truth; at least of possibility—I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.”
—Frances Burney (1752–1840)
“Racism is an ism to which everyone in the world today is exposed; for or against, we must take sides. And the history of the future will differ according to the decision which we make.”
—Ruth Benedict (1887–1948)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)