American Music Award Nominations For Whitney Houston - Performances and Appearances On The American Music Awards

Performances and Appearances On The American Music Awards

Date City Venue Performance/Note(s)
January 27, 1986
(13th)		 Los Angeles Shrine Auditorium
  • "How Will I Know"
January 26, 1987
(14th)
  • "All at Once"
January 25, 1988
(15th)
  • "Where Do Broken Hearts Go"
  • "Wonderful Counselor" (along with Cissy Houston and Gary Houston)
January 30, 1989
(16th)
  • Houston attended the show, accepting two AMAs, but not performed
January 27, 1992
(19th)
  • She performed a remix medley of songs from I'm Your Baby Tonight: "I'm Your Baby Tonight," "My Name Is Not Susan," and "Who Do You Love"
February 7, 1994
(21st)
  • "I Loves You, Porgy" from Porgy and Bess, "And I'm Telling You I'm Not Going" from Dreamgirls and "I Have Nothing" from The Bodyguard.
January 11, 1999
(26th)
  • Houston sang a medley of songs from then-new-album My Love Is Your Love: "Until You Come Back" and "My Love Is Your Love." Babyface played the piano on both songs and Wyclef Jean was featured as a rapper on the performance of "My Love Is Your Love."
November 22, 2009
(37th)		 The Nokia Theatre
  • "I Didn't Know My Own Strength"

Read more about this topic:  American Music Award Nominations For Whitney Houston

Famous quotes containing the words performances and, performances, appearances, american and/or music:

    “This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
    —Dorothy Parker (1893–1967)

    “This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
    —Dorothy Parker (1893–1967)

    “What I often forget about students, especially undergraduates, is that surface appearances are misleading. Most of them are at base as conventional as Presbyterian deacons.”
    —Muriel Beadle (b. 1915)

    “The German intellect wants the French sprightliness, the fine practical understanding of the English, and the American adventure; but it has a certain probity, which never rests in a superficial performance, but asks steadily, To what end? A German public asks for a controlling sincerity.”
    —Ralph Waldo Emerson (1803–1882)

    “Good music is very close to primitive language.”
    —Denis Diderot (1713–1784)