Plot
American Born Chinese consists of three interwoven, yet, parallel stories that ultimately merge into one narrative by the climax of the novel.
The first tale is based upon the legendary folk tale of Sun Wukong, or The Monkey King, a character from the classic Chinese novel Journey to the West.
The second tale is the story of a second-generation child of immigrants named Jin Wang, who has moved from San Francisco's Chinatown to a mostly white suburb. Jin Wang struggles to fit in within his new school, and within white American culture. His story links the other two narratives, and fits the form of an ethnic bildungsroman.
The third tale tells the story of a white American boy named Danny, whose Chinese cousin Chin-Kee (as in "Chinky") comes and visits every year. Chin-Kee displays many American racial stereotypes of the Chinese in terms of accent, dress, hairstyle, physical appearance, eating habits, academic performance, and hobbies. Danny is troubled by Chin-Kee's visits.
All of them have their own problems, and they are having trouble solving them. Even though they cannot help themselves alone, their lives are overlapped with each other. While the story goes on, they start to figuring out the solutions to their lives.
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Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)