History
The Academy was created in 1904 by the membership of the National Institute of Arts and Letters styling itself after the French Academy. The first seven academicians were elected from ballots cast by the entire membership. They were William Dean Howells, Samuel L. Clemens, Edmund Clarence Stedman, and John Hay, representing literature; Augustus Saint-Gaudens and John La Farge, representing art; and Edward MacDowell, representing music. In 1976 the two groups combined under the name American Academy and Institute of Arts and Letters. In 1992 members adopted the current organizational title.
The oldest organization associated with the group was founded in 1865 at Boston. The American Social Science Association produced the National Institute of Arts and Letters in 1898. The qualification for membership in this body was to have made notable achievements in art, music, or literature. The membership was at first limited to 150. In 1904 the membership was increased by the Institute's introducing a two-tiered structure: 50 elite members and 200 regular members. The people in the elite group were gradually elected over the next several years. The larger group was called the "Institute," while the elite group was called the "Academy."
The strict two-tiered system persisted for 72 years (1904–76). In 1976 members created an organization called the American Academy and Institute of Arts and Letters. The combined Academy/Institute structure had a maximum of 250 living United States citizens as members, plus up to 75 foreign composers, artists, and writers as honorary members. It also established the annual Witter Bynner Poetry Prize in 1980 to support the work of a young poet. The two-tiered system persisted until 1993, when it was completely abandoned.
Read more about this topic: American Academy Of Arts And Letters
Famous quotes containing the word history:
“America is, therefore the land of the future, where, in the ages that lie before us, the burden of the Worlds history shall reveal itself. It is a land of desire for all those who are weary of the historical lumber-room of Old Europe.”
—Georg Wilhelm Friedrich Hegel (17701831)
“So in accepting the leading of the sentiments, it is not what we believe concerning the immortality of the soul, or the like, but the universal impulse to believe, that is the material circumstance, and is the principal fact in this history of the globe.”
—Ralph Waldo Emerson (18031882)
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (18981956)