Television
Tamblyn's first TV role was Emily Bowen (later known as Emily Quartermaine) on the soap opera General Hospital, a role that she played for six years (from 1995 to 2001). She also starred in the pilot episode of the revived Twilight Zone series on UPN in 2002.
Tamblyn became better known playing Joan Girardi, a teenage girl who receives frequent visits from God, on the CBS drama series Joan of Arcadia. Tamblyn's father made several appearances as God in the form of a dog walker on the show, which ran from 2003 to 2005.
Early guest starring roles include: Buffy the Vampire Slayer (playing Janice Penshaw, the best friend of Dawn Summers), on Boston Public, CSI: Miami, and Punk'd (where Ashton Kutcher and his crew members tricked her into losing someone else's dog).
In 2007, Tamblyn starred in the CBS pilot Babylon Fields, an apocalyptic comedic drama about the undead trying to resume their former lives. The CBS network excluded the show from its Fall 2007 programming lineup, since it would have competed with the network's other undead-themed drama, Moonlight.
In spring 2009, Tamblyn starred in The Unusuals, playing NYPD homicide detective Casey Shraeger in this notably acclaimed crime drama. The show was canceled after its first season. In the same year, Amber had a recurring role alongside her father in the IFC sitcom The Increasingly Poor Decisions of Todd Margaret.
In November 2010 until April 2011, Tamblyn starred as medical student Martha M. Masters, in a story arc of the seventh and eighth season in the medical procedural drama House M.D.
Read more about this topic: Amber Tamblyn
Famous quotes containing the word television:
“History is not what you thought. It is what you can remember. All other history defeats itself.
In Beverly Hills ... they don’t throw their garbage away. They make it into television shows.
Idealism is the despot of thought, just as politics is the despot of will.”
—Mikhail Bakunin (1814–1876)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)