Films
Tamblyn launched her film career playing bit parts in her father's movies: Rebellious and Johnny Mysto: Boy Wizard. She also appeared in 1995's Live Nude Girls.
Her first major film role was in 2005's The Sisterhood of the Traveling Pants, co-starring Alexis Bledel, America Ferrera, and Blake Lively. She also starred in its 2008 sequel The Sisterhood of the Traveling Pants 2.
Her horror film career began with the opening scene of 2002's The Ring. Tamblyn also appeared in the Japan-set The Grudge 2, a sequel to The Grudge. The film, which also stars Sarah Michelle Gellar, was released on October 13, 2006, and debuted in the #1 spot at the North American box office. In August 2006, Tamblyn won the Bronze Leopard at the Locarno International Film Festival for her performance in the title role of Stephanie Daley. The film, which also won an award at the 2006 Sundance Film Festival, features Tamblyn as a 16-year-old who kills her baby, moments after giving birth in the bathroom of a ski resort. She was also nominated for Best Actress at the Independent Spirit Awards. The film also stars Tilda Swinton and Timothy Hutton. She also starred in Blackout in 2008.
In January 2008, Tamblyn appeared in the Hallmark movie, The Russell Girl about a woman suffering from disease and mental anguish.
Tamblyn appeared in the 2009 film Spring Breakdown, also featuring Amy Poehler, Rachel Dratch, and Parker Posey.
Tamblyn appeared alongside Orlando Bloom, Colin Firth, and Patricia Clarkson in the 2010 film Main Street, a drama set in North Carolina. That year, she also had a role in the drama 127 Hours, with James Franco.
In 2012, Tamblyn starred against Wes Bentley and Vincent Piazza in the indie feature 3 Nights in the Desert directed by Gabriel Cowan, written by award-winning playwright Adam Chanzit and produced by John Suits.
Read more about this topic: Amber Tamblyn
Famous quotes containing the word films:
“Right now I think censorship is necessary; the things they’re doing and saying in films right now just shouldn’t be allowed. There’s no dignity anymore and I think that’s very important.”
—Mae West (1892–1980)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)