Alvin Purple - Background

Background

Director Tim Burstall had worked extensively in film both in Australia and overseas in the 1960s and in the late Sixties he was closely involved in the foundation of the famous La Mama Theatre in Melbourne, established by his wife Betty Burstall. La Mama was a major focus for the new wave of Australian drama that was emerging at that time, showcasing many new plays, performance pieces and films by people such as Jack Hibberd, Alex Buzo, David Williamson, Bert Deling and Burstall himself.

Burstall's first feature film, 2000 Weeks was an ambitious contemporary drama about a writer, starring Scots-born actor Mark McManus (of Taggart fame) and Australian actress Jeannie Drynan, which was very notable at the time, being the first all-Australian feature film produced since Charles Chauvel's Jedda in 1954. Although it was reportedly well-received overseas, 2000 Weeks was panned by local critics and it failed disastrously at the box office. The experience affected Burstall strongly and also influenced other directors and producers, including John B. Murray and Phillip Adams, who observed the hostile reaction to 2000 Weeks and who as a result took their film-making in a more populist direction, as Burstall soon did himself.

This was followed by a low-budget surfing feature Getting Back to Nothing (1970). His second feature, the contemporary comedy Stork (1972) was much more successful. As well as launching the cinema career of actor Bruce Spence, who played the title role, it was the first of many successful film adaptations of plays by renowned Australian dramatist David Williamson. Stork was adapted from his play The Coming of Stork, which had premiered at La Mama.