First Church of Christ, Scientist and The Peoples Temple
The district also includes the former First Church of Christ, Scientist built in 1912 on an odd-shaped lot at the coner of Alvarado and Hoover Streets. The church was designed by noted architect Elmer Grey, who was also responsible for the Beverly Hills Hotel (1911), the Huntington Gallery and Library (1910), and the Pasadena Playhouse (1924-25). The church has been variously described as Beaux-Arts, Italian and Spanish Romanesque, and Mediterranean. The building's most notable features include its semi-circular porch with fluted columns, brick tower, rounded arches, and tiled roof.
The building has had a colorful history, having housed Jim Jones' Peoples Temple from 1970 until their move to Jonestown, Guyana in 1977. In 1975, the Los Angeles Times noted the Peoples Temple's move into the old church: "People's Temple, a Disciples of Christ church, now occupies the old First Church building." After the mass suicide in Jonestown, the Times noted that the Peoples Temple had moved out of the "huge Italian Renaissance-style church" in 1977.
The church was designated as Historic-Cultural Monument no. 89 in 1971. In 2008, the church was operated as the "Iglesia Adventista Central," as shown in the picture to the left. An interesting profile and several photographs of the church can be found on the Big Orange Landmarks web site.
Read more about this topic: Alvarado Terrace Historic District
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May our prayers, Lord, make us
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Is our Christian care.”
—Frederick Pratt Green (b. 1903)
“A good scientist is a person with original ideas. A good engineer is a person who makes a design that works with as few original ideas as possible. There are no prima donnas in engineering.”
—Freeman Dyson (b. 1923)
“... were not out to benefit society, to remold existence, to make industry safe for anyone except ourselves, to give any small peoples except ourselves their rights. Were not out for submerged tenths, were not going to suffer over how the other half lives. Were out for Marys job and Luellas art, and Barbaras independence and the rest of our individual careers and desires.”
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—Adrienne Rich (b. 1929)