Old English Poetic Forms
Old English poetry appears to be based upon one system of verse construction, a system which remained remarkably consistent for centuries, although some patterns of classical Old English verse begin to break down at the end of the Old English period.
The most widely used system of classification is based on that developed by Eduard Sievers. Sievers' system is a method of categorization rather than a full theory of meter. It does not, in other words, purport to describe the system the scops actually used to compose their verse, nor does it explain why certain patterns are favored or avoided. Sievers divided verses into five basic types, labeled A-E. The system is founded upon accent, alliteration, the quantity of vowels, and patterns of syllabic accentuation.
Read more about this topic: Alliterative Verse
Famous quotes containing the words english, poetic and/or forms:
“The calmest husbands make the stormiest wives.”
—17th-century English proverb, pt. 1, quoted in Isaac d’Israeli, Curiosities of Literature (1834)
“And since the average lifetime—the relative longevity—is far greater for memories of poetic sensations than for those of heartbreaks, since the very long time that the grief I felt then because of Gilbert, it has been outlived by the pleasure I feel, whenever I wish to read, as in a sort of sundial, the minutes between twelve fifteen and one o’clock, in the month of May, upon remembering myself chatting ... with Madame Swann under the reflection of a cradle of wisteria.”
—Marcel Proust (1871–1922)
“The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.”
—J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)