2008 Broadway Production
A Broadway revival began previews at the Gerald Schoenfeld Theatre on September 18, 2008 and officially opened on October 16, 2008. The limited engagement ran through until January 4, 2009. Official site
The production starred Tony Award winner John Lithgow, Academy Award winner Dianne Wiest, Tony Award nominee Patrick Wilson, and Katie Holmes, in her Broadway debut. The other featured actors were Becky Ann Baker, Christian Camargo, Jordan Gelber, Danielle Ferland, Damian Young, and Michael D'Addario. It was directed by Simon McBurney. According to his biography, McBurney's "work on the production of All My Sons grew out of a meeting with Arthur Miller in 2001, shortly after the playwright saw the New York premiere of Mnemonic."
The creative team consisted of scenic and costume design by Tony Award nominee Tom Pye, lighting design by Paul Anderson, sound design by Christopher Shutt and Carolyn Downing, projection design by Finn Ross, and wig and hair design by Paul Huntley.
Some controversy surrounded the production, as the internet group Anonymous staged an anti-Scientology protest at the first night of preview performances in New York City (due to cast member Katie Holmes).
The cast dedicated their performance on September 27 to the legendary actor, Paul Newman, who died the day before.
Read more about this topic: All My Sons
Famous quotes containing the words broadway and/or production:
“We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.”
—James Thurber (1894–1961)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)