Alexey Steele - Work

Work

Even though his Russian heritage is often noted in his palette as well as the treatment of his subjects, Steele’s approach to figure is rooted in the Renaissance and Baroque periods. At the same time, his works possess a modern feel and intensity in their disregard of the main stream and in their peculiar audacity of grand scale and grand themes. Steele’s fusion of realistically rendered forms with allegorical elements almost impose his personal world on the viewer, resulting in strongly metaphorical imagery as in his 20 foot “Soul of the Hero,” executed for a private residence in LA, and his depiction of Mick Fleetwood in “Blue Rose.”

Through its broad thematic range, Steele’s work exhibits a fascination with the expressive possibilities of figure based on a skillful representation of dynamic foreshortenings, and the ability to construct complex compositions. At the same time, his depiction of epic grandeur comes across even in his plein-air landscape works, as in “Glowing Cliff,” and in his portrayal of larger than life contemporary personalities, such as the portrait of “Donna Fleischer.”

Solving various problems in the development of his mammoth works, Steele employs largely forgotten Renaissance period processes. He is known for creating full size drawings, referred to as “cartoons,” which attract attention in their own right, as opposed to other artists who may use such drawings as only preliminary sketches. Steele's venture into the public art arena was marked by the “Angel of Unity,” executed for a city-related public art project noted in the Los Angeles Times on June 5, 2003. It explores the archetypical commonalities of Judaism, Christianity and Islam. In December 2008 the Carnegie Art Museum commissioned and acquired to its permanent collection Steele's major master drawing "Quiet Steps of Approaching Thunder" (72 x 48) which links figurative art to our era of crisis.Continuing work on his large scale drawings, in August 2011 he exhibited an epic cartoon measuring 100" X 80" titled "Rising: Jaboy, Christian, Derron, Michael, Luis" in "The New Romantic Figure", a ground breaking group show of figurative works by prominent Californian artists at California Lutheran University's Kwan Fong Gallery.

For his heroic approach to art and his crusading personality, Steele is sometimes described as “A Modern Warrior of Art.” He is an unabashed proponent of 21st Century figurative art, saying “American realism is the true non-conformism of our time, and that’s exciting; that’s the most exciting thing that’s happened to the art world since Picasso” in an interview for CLU.

In June 2009, Steele received Artemis Award for celebrating the power and beauty of women through his art on a heroic scale in the modern world particularly in his multi-figure compositions “The Circle” and “The Soul of The Hero”. He was one of the 14 distinguished honorees and came to Athens for the Annual Euro-American Women’s Council’s Global Forum sponsored by the Greek Ministry of Foreign Affairs, Ministry of Culture, and the Mayor of Athens.

In November 2009, Alexey Steele received Gusi Peace Prize in the Phillppines for his work on turning art into a tool of International Conflict Resolution and for his "Fire of Peace" composition. In the works since 2001, "Fire of Peace" serves as the modern day icon for new inter-cultural paradigm of inclusive unity and mutual respect, reflecting broader pluralistic culture while remaining viable to traditional communities, thus encouraging a seismic shift in their fundamental perception of each other, presenting an inspiring vision of lasting acceptance and embrace among most vital to World Peace Jewish, Christian and Muslim communities.

In March 2010, Steele founded NOVOREALISM, a venture consisting of an online magazine, gallery and academy, and aimed at explaining his views in contemporary art.

Read more about this topic:  Alexey Steele

Famous quotes containing the word work:

    Not rarely, and this is especially true of wives and mothers, the motive behind assuming a disproportionate share of work and responsibility is completely unselfish. We want to protect, to spare those of whom we are fond. We forget that, regardless of the motive, the results of such action are almost always destructive and unproductive.
    Hortense Odlum (1892–?)

    ... when we shall have our amendment to the Constitution of the United States, everyone will think it was always so, just exactly as many young people believe that all the privileges, all the freedom, all the enjoyments which woman now possesses were always hers. They have no idea of how every single inch of ground that she stands upon to-day has been gained by the hard work of some little handful of women of the past.
    Susan B. Anthony (1820–1906)

    It is easy to see that what is best written or done by genius in the world, was no man’s work but came by wide social labor, when a thousand wrought like one, sharing the same impulse.
    Ralph Waldo Emerson (1803–1882)