Works
The Suda makes no attempt to list his works, asserting that he composed books "beyond number".
Alexander's most important treatise consisted of forty-two books of historical and geographical accounts of nearly all the countries of the ancient world. These included 5 books On Rome, the Aigyptiaca (at least 3 books), On Bithynia, On the Euxine Sea, On Illyria, Indica and a Chaldæan History. Another notable work is about the Jews this reproduces in paraphrase relevant excerpts from Jewish writers, of whom nothing otherwise would be known (see below). As a philosopher, Alexander wrote Successions of Philosophers, mentioned several times by Diogenes Laërtius in his Lives and Opinions of Eminent Philosophers. None of Alexander's works survive as such: only quotations and paraphrases are to be found, largely in the works of Diogenes Laertius. Eusebius extracted a large portion in his Chaldean Chronicle.
One of Alexander’s students was Gaius Julius Hyginus, Latin author, scholar and friend of Ovid, who was appointed by Augustus to be superintendent of the Palatine library. From what Laërtius describes or paraphrases in his work, Alexander recorded various thoughts on contradictions, fate, life, soul and its parts, perfect figures, and different curiosities, such as advice not to eat beans.
Read more about this topic: Alexander Polyhistor
Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (1899–1977)