Alexander Arutiunian - Trumpet Concerto in A-flat Major (1950)

Trumpet Concerto in A-flat Major (1950)

Arutiunian's Trumpet Concerto consists of the following movements:

  1. Andante—Allegro energico
  2. Meno mosso
  3. Tempo I

The melodic and rhythmic characteristics of Armenian folk music are a strong influence in Arutiunian’s work. As a composer, he expresses his nationality by incorporating the flavor of ashughner (folk minstrel) improvisations. At the time the concerto was written, his compositional style was similar to Khachaturian's. However, in the 1960s he tended towards classical forms and clearer tonality.

Arutiunian’s trumpet concerto was his sixth major composition, written in 1950. Arutiunian originally intended to write it in 1943 for a student of Tabakov, Zsolak Vartasarian, who was the principal trumpet in the Armenian Philharmonic Orchestra. However, Vartasarian died in the war and the concerto was not completed until 1950, so Aykaz Messlayan was the first performer of the Concerto and Timofei Dokshitser was the first recording artist of this concerto."

The concerto's introduction to the United States is solely due to Timofei Dokschitzer, a leading Soviet Russian trumpeter.

Read more about this topic:  Alexander Arutiunian

Famous quotes containing the words trumpet and/or major:

    The dead have been awakened—shall I sleep?
    The world’s at war with tyrants—shall I crouch?
    The harvest’s ripe—and shall I pause to reap?
    I slumber not; the thorn is in my couch;
    Each day a trumpet soundeth in mine ear,
    Its echo in my heart.
    George Gordon Noel Byron (1788–1824)

    A major misunderstanding of child rearing has been the idea that meeting a child’s needs is an end in itself, for the purpose of the child’s mental health. Mothers have not understood that this is but one step in social development, the goal of which is to help a child begin to consider others. As a result, they often have not considered their children but have instead allowed their children’s reality to take precedence, out of a fear of damaging them emotionally.
    Elaine Heffner (20th century)