Other Work
- Alex Ross drew the cover picture on the Anthrax albums We've Come for You All, Music of Mass Destruction and Worship Music.
- Ross designed a series of costumes for the 2002 film Spider-Man, but director Sam Raimi instead chose not to use them. In the film's video game tie-in, as an easter egg, it is possible to unlock a playable version of Ross' Spider-Man design. When using this, the Green Goblin will also feature one of Ross' unused character outfits. As such, Ross was commissioned to do a series of drawings for the opening credits of Spider-Man 2, which recapped the major events from the first film. Ross' suit was also featured as an unlockable costume and also available in a white version in the PlayStation game Spider-Man 2: Enter Electro.
- The cover of the 'Savior of the Universe Edition' DVD of the 1980 film Flash Gordon, released on August 7, 2007 featured a cover painted by Ross. An avid fan of the film, he starred in a featurette on the DVD where he discussed the movie, which he names as his favorite movie of all time.
- Ross painted the Kollectors Edition cover for the console game Mortal Kombat vs. DC Universe. A smaller version of this painting is included on a separate textured card inside the case. He is also featured in his own segment on the Blu-ray/DVD included in the package.
- In 2008 Ross created a print of George W. Bush as a vampire sucking the blood from Lady Liberty entitled "Bush Sucking Democracy Dry" as well as a print of Barack Obama as a superhero entitled "Time For A Change". The latter was made into a T-shirt, with which Obama was seen posing in a photo on Ross' website.
- In 2012, Ross drew promotional artwork of Connor Kenway, the main character of the game Assassin's Creed III, used on the cover of the April 2012 issue of Game Informer and the collectible steelbook case provided with certain editions of the game.
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Famous quotes containing the word work:
“If there is a special Hell for writers it would be in the forced contemplation of their own works, with all the misconceptions, the omissions, the failures that any finished work of art implies.”
—John Dos Passos (1896–1970)
“Don’t you know there are 200 temperance women in this county who control 200 votes. Why does a woman work for temperance? Because she’s tired of liftin’ that besotted mate of hers off the floor every Saturday night and puttin’ him on the sofa so he won’t catch cold. Tonight we’re for temperance. Help yourself to them cloves and chew them, chew them hard. We’re goin’ to that festival tonight smelling like a hot mince pie.”
—Laurence Stallings (1894–1968)