Alec Trevelyan - Release and Reception

Release and Reception

GoldenEye premiered on 13 November 1995, at the Radio City Music Hall in New York City, and went on general release in the USA on 17 November 1995. The UK premiere, attended by Prince Charles, followed on 22 November at the Odeon Leicester Square, with general release two days later. Brosnan boycotted the French premiere to support Greenpeace's protest against the French nuclear testing program, causing the premiere to be abrogated.

The film earned over $26 million during its opening across 2,667 cinemas in the USA. Its worldwide sales were around the equivalent of $350 million. It had the fourth highest worldwide gross of all films in 1995 and was the most successful Bond film since Moonraker, taking inflation into account.

GoldenEye was edited in order to be guaranteed a PG-13 rating from the MPAA and a 12 rating from the BBFC. The cuts included the visible bullet impact to Trevelyan's head when he is shot in the prologue, several additional deaths during the sequence in which Onatopp guns down the workers at the Severnaya station, more explicit footage and violent behaviour in the Admiral's death, extra footage of Onatopp's death, and Bond giving her a rabbit punch in the car. In 2006, the film was re-mastered and re-edited for the James Bond Ultimate Edition DVD in which the BBFC cuts were restored, causing the rating to be changed to 15. However, the original MPAA edits still remain.

Read more about this topic:  Alec Trevelyan

Famous quotes containing the words release and, release and/or reception:

    We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.
    Elizabeth Drew (1887–1965)

    As nature requires whirlwinds and cyclones to release its excessive force in a violent revolt against its own existence, so the spirit requires a demonic human being from time to time whose excessive strength rebels against the community of thought and the monotony of morality ... only by looking at those beyond its limits does humanity come to know its own utmost limits.
    Stefan Zweig (18811942)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)