Names
The name "Campion" may have its origin in the Old French word for "champion". Another source says the name was suggested by Allingham's husband Philip Youngman Carter, and may allude to the Jesuit martyr St. Edmund Campion. Carter and St. Edmund Campion were both graduates of Christ's Hospital school. Campion's fictional college, St. Ignatius, supports the Edmund Campion connection, since St. Ignatius of Loyola was the founder of the Jesuits.
'Albert Campion' is revealed early on to be a pseudonym. In Mystery Mile, his true first name is said to be Rudolph, while his surname begins with a K. In The Fashion in Shrouds he also mentions his first name being Rudolph but confides he changed it asking people to call him Albert as he didn't like the name Rudolph.
Campion has used many other names in the course of his career. "Mornington Dove" (although in the 1988 Avon edition (page 72) of "The Black Dudley Murder" he is called "Mornington Dodd") and "the Honourable Tootles Ash" are mentioned in The Crime at Black Dudley; "Christopher Twelvetrees" and "Orlando" are mentioned in Look to the Lady.
Read more about this topic: Albert Campion
Famous quotes containing the word names:
“A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.”
—Bernardo Bertolucci (b. 1940)
“And even my sense of identity was wrapped in a namelessness often hard to penetrate, as we have just seen I think. And so on for all the other things which made merry with my senses. Yes, even then, when already all was fading, waves and particles, there could be no things but nameless things, no names but thingless names. I say that now, but after all what do I know now about then, now when the icy words hail down upon me, the icy meanings, and the world dies too, foully named.”
—Samuel Beckett (1906–1989)
“Shut out that stealing moon,
She wears too much the guise she wore
Before our lutes were strewn
With years-deep dust, and names we read
On a white stone were hewn.”
—Thomas Hardy (1840–1928)